Author Archives: Joel Oliphint

Video/MP3: New Strand of Oaks song “Spacestations”

Strand of Oaks aka Timothy Showalter recorded a new song with the folks at Shaking Through in Philadelphia. It’s a simple song with a big sound, building on the wall of synths Showalter was developing on Pope Killdragon. In fact, there’s no guitar whatsoever on “Spacestations,” which features Shaking Through’s guest curator Chris Ward (Pattern is Movement) on drums and Eliza Jones (Buried Bed) on vocals and keys.

Shaking Through is a partnership of Weathervane Music and WXPN. Here’s the premise:

Shaking Through is a documentary series about bringing a song to life. Each year we give 10 of the most exciting young minds in music a challenge: One Song in two days. From first take to final mix. No extensions. No safety net. We bring in the best filmmakers around so we can share the band’s experience with you. We want tell you about the stories behind the songs, the techniques we used to produce it, and help you witness the sacred places where artists bare their souls. Every song, every take.

In an industry that leaves young acts to fend for themselves, Shaking Through can be a game changer. For these select artists, it is often their first experience in a real studio and in front of a camera. We’ve seen remarkable growth in the brief 48 hours we’re with them. The kind that can set these artists on a path to remarkable careers. It’s already started to happen…

I’m embedding the mini documentary above, but you should really head over to the full Strand of Oaks session on Shaking Through — which includes a free download of “Spacestations” — to get the full web-doc experience, including an acoustic version of the song on the banks of the Wissahickon (my old stomping grounds). The videos are top-notch, and the layout is artful and user-friendly. Give it a look.

Posted in MP3, Video | Tagged , , , | 1 Comment

More Ohio festival news: Nelsonville adds Andrew Bird, Lee ‘Scratch’ Perry, Hayes Carll and Time & Temperature

The 2012 Nelsonville Music Festival lineup continues to be awesome. Today NMF added Andrew Bird, Lee ‘Scratch’ Perry, Hayes Carll and Time & Temperature to the lineup, which now looks like this:

Iron and Wine
Andrew Bird
M. Ward
Roky Erickson
Lee ‘Scratch’ Perry
Dawes
Charles Bradley & His Extraordinaires
Kurt Vile & The Violators
Dark Dark Dark
Jorma Kaukonen
Lee Ranaldo Band
Hayes Carll
Sallie Ford & The Sound Outside
Horse Feathers
Michael Hurley
Shovels & Rope
R.Ring (Kelley Deal of the Breeders)
Woody Pines
Hope For Agoldensummer
The D-Rays
Todd Burge
Time & Temperature

More to be added in the coming weeks. $75 weekend passes for May 18-20 are available here, and check out the new NMF website, too.

Posted in Music Festivals | Tagged , , , , | Leave a comment

SPIN’s redesign and why I like it

After spending some time with the newly redesigned and refocused SPIN –– the March/April edition with Sleigh Bells on the cover — I’m convinced it’s the first music magazine to finally get ahead of the curve, and it did so by embracing some things that would seem counterintuitive at first glance.

It’s large. While every magazine and newspaper in America is getting smaller and thinner, SPIN just got bigger and thicker — 9.5 inches wide and a foot long. (Most glossies, in comparison, are around 8 inches wide and between 10 and 11 inches in length.) That means big art, more art and more text. It also means that the magazine is now bimonthly, likely because even a mainstream pub like SPIN can’t afford to put out a magazine like that every month. But in adjusting to bimonthly, SPIN forced itself to become what a post-Web 2.0 music magazine should be: A place for long-form stories and analysis (with nice, wide columns of text). Even daily print publications rarely break news that wasn’t first found on the web, so a monthly or bimonthly magazine shouldn’t attempt to. The stories should hold up. They should be relevant two months after the magazine hits newsstands. Judging by this first issue, SPIN gets that.

It feels good. It’s bulky and remains perfect-bound, but the gloss is gone. The matte cover is a thick card stock, and more than half the magazine is matte. It feels special, artful, homemade and more than a bit nostalgic, but not cloying Instagram-nostalgic. (There’s still some glossy pages in the first half of the book; I’d recommend going all in and getting rid of the glossy feel entirely.)

Fewer reviews. SPIN was able to swallow its pride and admit that few people head to print publications for album reviews anymore. Reviews are the domain of the Internet now, for better or worse. As such, SPIN moved most of its reviews online, and an even bigger chunk to its controversial @SPINReviews Twitter feed, which reviews new releases in 140 characters or less. This frees up the back pages of the magazine for “The Guide,” which does have some capsule reviews of reissues, but instead of printing Rob Harvilla’s Lana Del Rey review that’s been online for almost a month, Christopher Weingarten talks about a gaggle of female-led bands (Del Rey included) inspired by David Lynch.

…Now, the new SPIN isn’t perfect. Some aspects — like the half-matte/half-glossy thing and still too many short pieces — at times make it feel like a gangly teenager that isn’t quite comfortable in a bigger frame. And while David Marchese’s Sleigh Bells cover story is a must read, I didn’t devour the issue cover to cover. Not everything appealed to me. But I could say that for just about any magazine I subscribe to, and if every single thing was about an artist I love or want to know more about, a good chunk of SPIN would be boring to a good chunk of people. And in this new format, I’m more likely to come back later to see what I missed.

I guess what I’m saying is this: While most Old Media monthlies have attempted to adapt to the New Media world by merely making smaller magazines and creating clumsy websites and/or iPad apps with the same content, SPIN deserves kudos for a creative, intuitive and risk-taking reinvention.

(Disclosure: I have written for SPIN on occasion.)

Posted in Media | Tagged , | 1 Comment

Oblivians to release new album on In the Red

Via In the Red’s Facebook page:
It’s official; The Oblivians will be recording their first studio album since 1997 next month and In The Red is putting it out! Here’s Larry Hardy and Greg Cartwright shaking on the deal.

(ht Blurt)

Posted in Music | Tagged , | Leave a comment

Video: Justin Vernon & Sean Carey perform Bon Iver songs with two pianos

4AD and Jagjaguwar have collaborated on a live session that captures a truly unique Bon Iver performance, featuring Justin Vernon and Sean Carey. On recent tours fans will have become accustomed to seeing Vernon flanked by an eleven-piece band, with the swell in numbers lending a grandiose element to even his most delicate songs. Sidestepping expectations, the idea Vernon presented for this session was to provide a wildly different experience.

Recorded in AIR Studio’s Lyndurst Hall – a building that was originally a church and missionary school designed in 1880 by the great Victorian architect Alfred Waterhouse (designer of the Natural History Museum) – Vernon was joined only by Carey, with the pair positioning themselves opposite one another at two grand pianos. Although neither Justin nor Sean’s first instrument is piano, they were able to remodel the songs in a way that showcases their complimentary vocals and, perhaps more strikingly, a seemingly effortless ability to experiment with form and structure.

As such, fans are treated to jaw-dropping interpretations of several songs from both the new album and the ‘Blood Bank’ EP, as well as a cover of Bonnie Raitt’s “I Can’t Make You Love Me”. And interpretation is an apt word, as these songs are artfully abstracted from their original incarnations. Rather than layer the sound as on ‘Bon Iver, Bon Iver’, the focus is on paring back, in part evoking the minimalist approach of contemporary classical music, while remaining true enough to the source material to retain those elements characteristic of Bon Iver.

As on “Babys” and “Hinnom, TX”, Vernon’s trademark falsetto is positioned centre stage, framed by subtle and unexpected instrumental flourishes that render the performance simultaneously weighty and airless. It’s quite an achievement that songs so widely-known and loved in their recorded form are able gain in emotional impact, and stands as testament to Bon Iver’s singular talent.

1. Hinnom, TX
2. Wash.
3. I Can’t Make You Love Me
4. Babys
5. Beth/Rest

Director: Iain Forsyth & Jane Pollard
Recording & Mixing: Jake Jackson with Brian Joseph
Recorded in London at AIR Studios, October 16, 2011

“Hinnom, TX”, “Wash.”, “Beth/Rest” (c) 2011 April Base Publishing (ASCAP)
“Babys” (c) 2009 April Base Publishing (ASCAP)
“I Cant’ Make You Love Me” (c) 1991 BMG Songs, Almo Music Corp., Bird Blues Music, Hayes Street Music (ASCAP)

Posted in Video | Tagged , , , , | Leave a comment

Download a dinner soundtrack from Akron’s Comfort Clouds

Every once in a while a random email from a random bands pays off and reminds me to temper my trigger-happy “delete” finger. One can only read self-promotion and desperate pleas for press so much, and bands are often quite terrible at describing their sound (which is why you should never ask them to do so). But I loved Akron band Comfort Clouds‘ spot-on sonic references (Eno & Jobim), totally nerdy song inspirations (anglerfish and Tesla) and the fact that the band made an entire album to be a dinner soundtrack:

This album was initially written as a soundtrack for dinner, combining equal parts Jobim-esque bossa-nova and Eno-esque ambiance. “Nothing’s The Same” is inspired by the underwater documentaries of Sir David Attenbourgh and the awkward romance between anglerfish. “33.3% Older Than I Am” is a mathematician’s love song to an older woman (all songs were written while I was in grad school for applied math). “Nikola Tesla” is what I imagine the scientist thought when his lab burnt to the ground. “I’ve Been Searching” is about Arctic marathon vacation packages.

Comfort Clouds self-released The Dinner Set, which truly is a perfect dinner soundtrack, more than a year ago. Stream or download it for free on Comfort Clouds’ Bandcamp.

Posted in MP3 | Tagged , | 1 Comment

Video: Saintseneca – “Missing Dogs” Pink Couch Session

Courtesy IfYouMakeIt.

One of my favorite Columbus albums from last year, Saintseneca’s Last is available on Mama Bird Recording Co. (Saintseneca Daytrotter session on the way soon, too.) You can catch the band at Skully’s on March 10 with Loyal Divide and Way Yes.

Posted in Columbus, Video | Tagged , , | Leave a comment

2012 Nelsonville Music Festival lineup includes Iron & Wine, M. Ward, Roky Erickson, Dawes, Kurt Vile, Dark Dark Dark and more

So, yeah, I’m going. More to be added. Tickets here. Full release:

NELSONVILLE, Ohio- Stuart’s Opera House is thrilled to announce the lineup for this year’s 8th annual Nelsonville Music Festival on May 18-20 at Robbins Crossing on the campus of Hocking College in Nelsonville, Ohio. This year’s lineup includes Iron and Wine, M. Ward, Roky Erickson, Dawes, Charles Bradley, Kurt Vile & The Violators, Dark Dark Dark, Jorma Kaukonen, Lee Ranaldo Band, Sallie Ford & The Sound Outside, Horse Feathers, Michael Hurley, Shovels & Rope, JD McPherson, R.Ring, Woody Pines, Todd Burge, with more acts still to be announced! Weekend passes and individual camping passes are on sale now! To purchase passes, or for more information visit www.nelsonvillefest.org or call (740) 753-1924.

Iron and Wine is the musical project of Sam Beam, a singer-songwriter who has had a very impressive decade long career. Iron and Wine began in 2002 as a mainly acoustic project of uniquely hushed songs on their debut The Creek Drank The Cradle and over the years has evolved into a variety of styles while maintaining a distinct sound and focus on storytelling that weaves throughout their music. Iron & Wine have released four studio albums (including their most recent, Kiss Each Other Clean in January of 2011) and a handful of EP’s, download only releases, and a few live albums including performances from the 2005 Bonnaroo performance and their 2006 show at Lollapalooza.

M.Ward’s was initially a well-kept secret of his peers in the Portland folk scene, his star continued to rise with each record’s release, and he is now one of the most acclaimed American musicians of the decade. In addition to his own four solo records, side projects have included 2007′s Monsters of Folk (with Jim James of My Morning Jacket and Conor Oberst of Bright Eyes) and She & Him with Zooey Deschenel. Past critics have compared him to everyone from John Fahey to Tom Waits, but it’s clear that M. Ward, with his brilliant guitar playing and innate sense of melody, is one of those rare and special talents who defy comparisons and compartmentalization.

Roky Erickson hails from Austin, Texas and he is, in the words of music writer Richie Unterberger, one of “the unknown heroes of rock and roll.” He was the singer, songwriter, and guitar player for the legendary band The 13th Floor Elevators, the first band to describe their music as “psychedelic”.The Elevators only had one chart hit, the Roky-penned “You’re Gonna Miss Me”, but they influenced everyone from Robert Plant The White Stripes. After several decades of tragedy following a 1969 incident, Erickson has now returned to recording and playing live music all around the world. In 2010 he collaborated on an album with indie-rockers Okkervil River and has played at the Austin City Limits Festival.

The 2012 Nelsonville Music Festival lineup includes folk-rockers Dawes who draw inspiration from the old Laurel Canyon sounds of Crosby, Stills, and Nash and Jackson Browne alongside the fiery soul music of Charles Bradley, sung as only a man who has led his life can sing. and Critically acclaimed indie songwriter Kurt Vile and his band the Violators join the festival after making countless best of 2011 lists. Music legends Jorma Kaukonen (Jefferson Airplane, Hot Tuna) and Lee Ranaldo (Sonic Youth) will make appearances along side up and coming acts like Portland’s Sallie Ford & The Sound Outside and the orchestral music of Minnesota’s Dark Dark Dark, both of whom will become new favorites this year for the festival crowd. Folk legend Michael Hurley will continue his streak of Nelsonville Music Festival performances in 2012 and will join Shovels & Rope, Horse Feathers, J.D. McPherson, and more throughout the weekend. Regional artists and favorites are represented as well, with R.Ring, the new project from Dayton resident and former Breeders member Kelley Deal and longtime area favorites Woody Pines and West Virginia’s Todd Burge.

Set in the beautiful rolling hills of Southeastern Ohio, the Nelsonville Music Festival is a three-day festival that celebrates music and local artistry of our region. We take pride in offering a warm, accepting environment where local artisans can sell and be recognized for their work, where local, regional and national musicians instill their awe-inspiring talents and festival goers can relax and enjoy the fruits of our regional flavor. Now in its 8th year the Nelsonville Music Festival continues to be one of the region’s best offering multiple stages of music all weekend long along with camping on site, kids activities, local art vendors, food, and a beer garden. Past performers have included The Flaming Lips, Willie Nelson, Loretta Lynn, The Avett Brothers, Neko Case, Yo La Tengo, George Jones, Mudhoney, Sharon Jones & The Dap Kings, The Swell Season, and many more. The Nelsonville Music Festival is a production of Stuart’s Opera House, a historic, non-profit theater located in Nelsonville that features over 75 events a year including live music, theater, films, educational programming and more. You can find out more about Stuart’s by visiting www.stuartsoperahouse.org.

Posted in Music Festivals | Tagged , , , , , , , , , | 1 Comment

Video: Lost in the Trees – “Red”

Lost in the Trees put out one of my favorite albums of 2010, and the NC band is due to release its new one, A Church That Fits Our Needs, March 20 on Anti-. This is the first video from the record, which finds bandleader Ari Picker working through the carnage of his mother’s 2009 suicide. It’s a tribute, of sorts, and it takes the band’s orchestral folk sound to new heights. As NPR noted when it debuted “Red” this week, there’s a David Lynch feel to the video, and that haunting/beautiful sensation permeates the entire album. Read what Picker had to say about the video after the jump.

Lost in the Trees return to the Wexner Center April 5 with Poor Moon (Christian Wargo and Casey Wescott of Fleet Foxes).

Via NPR:

When my mom passed, I gathered up all of her art supplies (sewing machines, paint brushes, fabrics) and put them into my writing space. She had also left behind a lot of tapes of her interviewing other artists about their work, a unfinished documentary of sorts. I used the four-track machine to harvest some of my moms conversations with the artist Clyde Jones (a local wood sculptor), and used them as samples on the record. When I was little, we lived in a large unkempt farm house, and my mother turned one of the bigger rooms into her art gallery. Around Christmastime she would put on a show and sell her work. She would take leaves from our magnolia tree and spray paint them gold as decorations for around the house. She would also cut flowers from our night blooming cereus and float the pedals around in the bath tub and take pictures of them. All these little acts of taking normal things and making them beautiful – that is what really influences me. The golden leaves, the swirling paint brushes, they are all intended to conceptualize an intangible place, the place where art is created, as well as a space for passing souls.

Posted in Music, Video | Tagged , , | 1 Comment

Video: Thomas Jefferson Slave Apartments – “My Mysterious Death (Turn it Up)” live at DW9; TJSA playing Chaos in Tejas

YouTube Preview Image

Not a bad way to relive some of TJSA’s surreal, even-better-than-I-expected set from our 9th anniversary show at Ace of Cups on Friday. Thanks to the New Bomb Turks’ Jim Weber for capturing this.

Update: The reunited Slave Apartments have also been confirmed to play Austin’s Chaos in Tejas on June 2.

Posted in Columbus, Video | Tagged , , , , , , | Leave a comment