Some interesting developments in Downhill Battle’s Eyes On The Prize action. Boing Boing notes this entry on the Downhill Battle Blog—
The teacher who was planning a February 8th screening of Eyes on the Prize in Vienna, VA for students and community members has been forced to cancel after a threat of lawsuit from the “licensee level”. We absolutely cannot believe this – we had never anticipated that anyone would try to stop students and community members from watching a film about the Civil Rights Movement. Apparently, the law firm that contacted them says that the school district does not have the proper licenses. This is really unbelievable– if there is any fair use, free speech right at all, it applies to screenings of a historical documentary in a school (wikipedia on fair use). This is a public screening in an educational, non-commercial, one-time use setting. Messing with a school district in Virginia is a whole different ballgame, don’t you think?
Another side of the argument, laid out here by the nephew of Henry Hampton, the filmmaker, notes some damaging side effects to DB’s actions regarding the film.
Also of note is this study, Untold Stories: Creative Consequences of the Rights Clearance Culture for Documentary Filmmakers By Pat Aufderheide and Peter Jaszi, which,
explores the implications of the current terms of rights acquisition on the creative process of documentary filmmaking in today’s marketplace, and from them makes recommendations to lower costs and promote creativity. It focuses on the lived experience of independent documentary filmmakers who work primarily within a broadcast environment (sometimes with a theatrical ?window?), in coping with the creative challenges created by acquiring and granting rights.