$13.00 adv / $15.00 day of show
Phantogram
http://www.phantogram.net/Phantogram’s music sounds like it’s made by a band from the city. Electronic loops, hip-hop beats, shoegaze, soul, pop — each finds its way into their songs. Unexpectedly, the band doesn’t live and work in a major urban center, but rather calls the town of Saratoga Springs, NY (population 26,186) home. Despite the cultural influence of local Skidmore College (where fellow beat-experimenters Ratatat formed) and a relatively small scene of adventurous musicians and listeners, Saratoga isn’t exactly teeming with fans of J. Dilla, My Bloody Valentine or Serge Gainsbourg.
But Josh Carter and Sarah Barthel, the duo that make up Phantogram and who grew up in the even smaller nearby municipality of Greenwich, have flourished in Saratoga. In fact, the town itself isn’t rural enough for their taste — they drive almost every day another 45 minutes into upstate farmland to a barn they call Harmony Lodge to write and record. Serving as their homemade studio/practice space/think-tank/bat-cave, the barn is equipped with various samplers, tapes, records, synths, drums, and both percussive and stringed instruments. It’s there that Phantogram allows their natural surroundings and metropolitan influences to meld together creating beautiful, beat-driven dreamlike pop songs.
Exitmusic
http://www.windishagency.com/artists/exitmusicSometimes, listening to Exitmusic, it’s hard to tell whether the goosebumps you’re getting are from the parts that are chillingly beautiful and melodic or the ones that are aching and guttural or the ones that are creepily sparse and disembodied. The New York City duo – Aleksa Palladino and Devon Church—doesn’t care when the chill runs down your spine, they just hope their music provokes some kind of primal feeling. Church explains, “It’s like what Aleksa sings at the end of ‘The Sea’: ‘And you turn your back to life… Oh, sorrow.’ We want our music to confront people in a gentle but powerful way, to make them feel something.”
“To feel human again,” adds Palladino. “To remind people, and even us, to let yourself be vulnerable.” She says that when she’s writing a song, she knows it’s going well when she feels breathless, overwhelmed by what is stirring inside of her. “The songs themselves are slightly abstract, but where they’re coming from emotionally is always very clear to me.”