The albums below are the ones I kept turning to when I just wanted to kick back and enjoy some tunes. Sure, there was more artistically challenging stuff released this year than some of the selections below — and I certainly do appreciate that sort of thing — but my year end lists reflect which music ultimately did for me what I think rock and/or roll is ultimately meant to do to any listener: it grabbed me by the heart and/or crotch and wouldn’t let go.
TOP 21 ALBUMS OF 2008
It should be noted I only counted albums released in 2008. If it was released digitally in 2007 it was NOT eligible … which is why you don’t see Radiohead, Robyn or MGMT on this list.
TV on the Radio, Dear Science
This mixture of high art and dance floor squonk not only bears up over repeated listens, it actually gets better. In that most rare of occurrences, the album I found myself turning to again and again too sate my more base musical desires also ended up feeding my intellectual hungers as well.
MP3: Dancing Choose | Buy on Amazon
Kanye West, 808s & Heartbreak
West’s cold digital soundscape provides the vehicle for his most human album of his career. People are still arguing over this one — and in particular the near unhealthy dose of AutoTune running through the whole thing — but I still say that the whole thing works excellently as both an artistic and emotional statement.Message Board Discussion | Buy on Amazon
Friendly Foes, Born Radical
This is the perfect vicious indie-pop Minneapolis-based band of 1986 / 1996 … that didn’t form until 2006 … in Detroit. It is only available digitally at the moment, and that’s the only reason I can think of to explain why everyone is not going ga-ga over this disc. When it gains more exposure next month I predict it’s gonna explode. Simply indispensable.MP3: Couch Surfing
Sad Day For Puppets, Unknown Colors
These Swedes mine shoegaze and 1989 indie-pop a la The Darling Buds to create a sound warmly familiar and immediately arresting. Dreamy guitars and gauzy vocals entrance while solid rhythms ground the songsMP3: Little Light
Cut Copy, In Ghost Colours
Cut Copy stole my hearts with their last minute set at Pitchfork and I have yet to tire of their smart electronic-pop / dance-rock blend nailed down by exuberant melodies. Any time a bunch of boys can create smart dance music that causes throngs of people to just completely lose their shit — and then manage to carry that same vibe over onto their album — you’re going to find us in their fan base.Youtube | Buy on Amazon
Rachael Yamagata, Elephants…Teeth Sinking Into Heart
Yamagata takes her familiar sound a large stylistic leap forward. The song arrangements are daring, the instrumentation is dark and often starkly minimal. This is a world of grays punctuated by brief flashes of color and light. One tends to feel constricted, and the moments when things open up — as on the strings that swell during “Elephants,” it feels as if you’re taking in deep breaths of delicious oxygen. But even the tighter moments exalt as they bind the listener ever closer to Yamagata’s delivery. Buy on Amazon
Supergrass, Diamond Hoo Ha
Tossing off the more lethargic tendencies of the group’s last album, Supergrass return to their harder rockin’ roots, inject a healthy dose of Glam, and finally find their swaggering stride again. We’re extremely glad these grown men decided to re-channel their harder tendencies through equal parts sneer and smile on this album.MP3 Mix | Buy on Amazon
The Features, Some Kind Of Salvation
Intensely delivered R&B wrasslin’, pop lovin’, Southern rock that delivers equal parts preacher fervor and lover’s lament. Soul searing as it reaches for the height of the skies, and crotch tingling as it revels in, uh, more secular waters. The turbo-charged anthems sit alongside naturally with the more introspective softer pieces to reveal a band comfortable on many terrains.MP3: GMF | Buy from Official Site
Ting Tings, We Started Nothing
This explosively and deceptively simple-sounding debut still gets my blood boiling every time I hear it’s infectious beats and chirped vocals. This is the sort of band that is easy to write off as a one-hot wonder until you realized that you are compulsively humming the whole album from start to finish, again and again.Youtube Channel | Buy on Amazon
Lykke Li, Youth Novels
Lykke Li’s minimal electronic pop is informed oh so subtly by the hip-hop aesthetic that when less is more it can be thunderous in its restraint. Her whispers can knock you and her wispy hooks will slip under your skin quietly and then absolutely refuse to let you go, no matter how hard you fight.MP3: Dance Dance Dance | Buy on Amazon
Ladyhawke, Ladyhawke
Ladyhawke IS Pip Brown, and she expertly handles just about every instrument and arrangement in this surprisingly complex and engaging collection of dance pop firmly based in the day-glo ’80s. After hearing the ’80s mined so clumsily and inexpertly by so many other groups this year we’re tickled to see someone who re-realizes the giddy potential of that era’s more engaging composers.MP3 | Buy on Amazon
The Dandy Warhols, …Earth To The Dandy Warhols…
The Dandy Warhols had to escape the Majors and form their own label in order to fearlessly pursue their own muse again to the listener’s great reward. Droning, funky, propulsive, and dreamy; The Dandys have both regained a steady footing while launching their music back into the stratosphere.Subscription Service | Buy on Amazon
Sloan, Parallel Play
After the double-album preceding this one, Sloan focuses on creating timeless pop-rock that creates sing-alongs you’ve learned the word to a quarter of the way through the first listen. They stun us with their ability to consistently release albums that are, well, consistently great.Yep Roc
Raphael Saadiq, The Way I See It
The best R&B album of the year. Timeless. Perfect. It’s simultaneously an homage to Stax and Motown while proving that organic, vibrant soul music can both convincingly and honestly be crafted by a younger generation. Saadiq has moved seamlessly between genres in the past but this album proves his talents as a musical chameleon might have located their most honest perch. Buy on Amazon
The Uglysuit, The Uglysuit
Deceptively meditative baroque arrangements on The Uglysuit’s debut give way to expansive choruses and swirling walls of well-mannered psychedelia. Live this band is capable of searing your face off, but their album is more likely to find your cheeks streaked with tears.MP3: Chicago | Buy on Amazon
Darker My Love, 2
These West Coasters are handy at transforming drone into hooks, incorporating groovy hooks with guitars turned to 11. The group has discovered expert ways to weave their obvious influences into their sound, for evidence of this check out the deliciously unholy mixture of The Beach Boys, My Bloody Valentine, and The Jesus and Mary Chain on “Two Ways Out.” When I listen to that song I picture the beach on one of those freak of nature days where it’s simultaneously sunny and raining.Donewaiting Interview | Buy on Amazon
Erykah Badu, New Amerykah Part One (4th World War)
The weirdest and most difficult to penetrate R&B album of the year also proves the most interesting view of it’s creator’s core. Badu isn’t delivering your mainstream “smooth grooves,” and instead opts to take you on an extraterrestrial journey through the inner self. Buy on Amazon
Mystery Jets, Twenty One
These young Brits lost a bit of the ‘67 Pink Floyd freneticism that drew us to them in the first place, but they’ve replaced it with an alarmingly mature grasp of rhythm and dynamics injected into their winning blend of Britpop. The only downside to hearing this more realized sophomore effort? We’re totally jonesing for them to make another trip Satateside so I can see them play live again!Youtube
The Feeling, Join With Us
These kids are equal parts Queen, Big Star, and The Greys … in other words if I didn’t know better we’d mistake this disc for a Jellyfish reunion album. Multilayered choruses with monster sized hooks dominate this disc … and the expansive production puts Jeff Lynne to shame.Youtube | Buy on Amazon
Weezer, Weezer (The Red Album)
Scrap the non-Rivers Cuomo contributions, add the bonus tracks from the “Deluxe Edition,” and you have the best Weezer album in over a decade. Cuomo once again mixes the weird, the catchy, and the downright epic to create songs that move beyond the stadium constructs of the previous disc.Weezer (Red Album)
Girl Talk, Feed The Animals
I don’t care if you love or hate Gregg Gillis as a person, or whether you view his mash-ups as “art” or you think he’s just a pandering hack behind a keyboard … Feed The Animals was the soundtrack that just dug into my inner dance party and would not let go. WikipediaKeep reading for favorite Chicago albums and songs of the year. Continue reading
The Detroit boys’ second full-length record on 
Parallel with the conundrums caused by bands like the Black Angels and Silversun Pickups in years past, this Jacksonsville quintet dropped a full-length that contained all of the songs from their previous EP, an EP ranked highly by 
The first legitimate newcomer to this list, this Aussie duo’s album caught my attention in the last month and has kept a stranglehold on it since. With their smoother crooning and production on one hand and their more outrageous ’80s aping on the other, these guys have managed to out-MGMT MGMT in my brain. The lyric “Don’t want to talk, all I hear is noise” often makes sense to me. Hopefully this is released domestically soon.
Kyle Sowash, a Columbus musician and promoter for the ages, and his self-named band released their second album in 2008 to fine results. Kyle wears his emotions on his sleeve, and turns his stories and dreams into ramshackle “classic indie rock” singalongs. While the songs range from heartbreaking to hilarious, the hooks and the solid playing of the ensemble tie them together.
I know, they weren’t out-MGMT’d by much. These wacky dudes’ album is a bit more gnarled than Walking On The Sun, but the quirky catchiness of these tunes keeps them on repeat. They also show some range in moving from dance jams to acoustic singalongs, while hitting most BPMs in between.
This is where the list stumbles along on $ellout autopilot…no no, I love this album. I grew up listening to Graceland, so while the guys might have drawn some inspiration there, they have created new worldly anthems for the youngsters. While the album is frontloaded with “hits,” album cuts like “One (Blake’s Got A New Face)” and “Walcott” are also brimming with smug charm.
Alright, let’s get back to the grime in the shadows. These Mike Rep-recorded lo-fi jams started to see physical life in the waning days of 2007, but the album was “officially” released in 2008. 
This quartet originated in Louisville, KY, and the fact that its members are now spread to the four winds may account for numerous periods of inactivity. However, they appear to have returned to life in 2008 and managed to finally release The Grand Hooded Phantom, which includes a few spruced-up versions of old demos but mostly boasts new (to me) material. After a beguiling trumpet-powered intro, they launch into a grungy sonic assault, rife with hooks, triumph, and despair which rocked hard enough for repeated spins on my iPod.
One of the more apt album titles of the year. Since the demise of A Tribe Called Quest, fans have watched the leading man stumble through a poppy solo debut, a shelved out-there jazz project, and long periods out of the spotlight. However, he returned to form in 2008 with a well-rounded release that shows the rapper finding a soulful, mature sound that is still vibrant and relevant to the better of today’s hip-hop sounds.
Tony Collinger made great strides in 2008. Though his previous producer Amos Famous moved to Cali, he then set to work with production from Weightless boss Blueprint. The result of this collaboration is an album of sonic and lyrical explorations that remains consistent in quality. I agree with Duffy’s predictions of Envelope’s bright future.
We Have You Surrounded shows these veterans of Detroit garage moving further away from such tags. While classic soul stompers like “Ever Lovin’ Man” never get old, Mick Collins also leads the bands into new categories like long noise tracks (!) and French ballads, which often result in exciting compositions.
This is another one that snuck up on me in the last of the year. The gently warbling vocals of Keith Wood (at times strangely reminiscent of Robert Plant!) are immersed in calming folk settings that even gallop into a backwoods groove from time to time. A new late night favorite.
This record is likely my most played vinyl LP of the year. Celebration does a more than ample job of capturing the live energy of these Alabamans, who are oft-described as a deep soul version of Television. I’m beginning to think that I can describe most of these albums as catchy, but with songs like “Can’t Say No” and “Filthy Flowers,” I can think of no other way to say it.
Though their scheduled 2008 Columbus live appearances were upended by setbacks (Great Power Outage of ’08, lead singer Aaron Lazar losing his voice), their new recorded output almost makes up for it. The metal-edged hard rock here snaps into plenty of hooks and riffs that are honed into songs of most descriptions, even 7-minute laments about Medicaid applications.
It’s been nine months since SXSW, and Florence and the Machine’s performance still echoes in my brain. It was a demonstration of fire and energy, of putting all of your soul out there and giving the audience something to remember. 
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Visiter is such a rich album to listen to, it’s hard for me to do anything else while playing it on my headphones. It’s rare that I actually notice the drums or banjo or backup vocals in beautiful detail, and that’s what helps makes this album such a standout.
The first time I saw Times New Viking was when they opened up for The Arcade Fire in Columbus. (To put it in perspective, the show wasn’t even halfway sold out of a 400 capacity venue). My initial impressions were “okay i don’t get it.” Everything started to make much more sense as time passed and I was able to see them live more. Songs are fuzzy and distorted and recorded on equipment that might have been recovered from a basement flood, but they have enough kick in them to fill an arena. These damaged pop songs make up one of the most important albums in recent Columbus history. I can’t wait to hear what they do next.
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It would have been easy for Gnarls Barkley to try and recreate the success of “Crazy”, but instead they took an artistic and far more interesting turn. I love the slow burn of this noiry lounge album. Cee Lo’s voice still goes down nice and smooth and Danger Mouse knows how to assemble the right beats and instruments to wrap around it. Don Draper approves.
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It’s not fair to other bands when one band comes around and puts out two amazing records in the same year. The nerve! Anyway, both are a logical extension of the modern Belle and Sebastian discography but with more distortion and just slightly more energy. See…. music can be fun and challenging at the same time.
You’ve got to have a lot of confidence (and a twinge of insanity) to be a small label and decide to commit to a year-long vinyl singles club (run of 250 each). The gamble paid off both financially (the club sold out within weeks) and musically, with bands like El Jesus de Magico releasing some of their finest work. Still to come in the series: The Unholy Two, Psychedelic Horseshit, Mike Rep and many more. Forget trying to create bullshit slogans like “Indie Art Capital of the World,” Columbus Discount Records should be looked upon as a true banner of inspiration to the entire arts community in Columbus.
When I was relistening to this album as a primer for the list writing, I finally realized that most of the songs on this album hover around the 2 and 3 minutes mark. It struck me as interesting because in each short song an incredibly detailed picture is painted with Slim’s lyrics. Call it hit and run songwriting maybe. This album is a great example of a band living in the Americana genre but not sounding completely cliche.
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I can just imagine Alina’s pitch… “Okay, here’s my idea… I am going to do an album of all covers. And they’re songs written by a Russian musician. And yeah, I am going to sing all the songs completely in Russian…. Oh and I am going to put her photo on the cover and not mine.” While this album may be sung completely in Russian, it only enhances the impact. Desperation and longing and hope pour out of Alina’s voice with each song, making it one of the most emotional albums released this year.
On Two Cow Garage’s fourth album, they’ve finally hit their side. You can hear the confidence in their songwriting and singing. Always on the road, in both Europe and the US of A, chances are Two Cow Garage is playing your home town this weekend. People need to throw away their Kings of Leon albums and listen to this instead.
This album makes me want to go drag racing and get tattoos and road trip to Austin TX and find those vampires from that one Tarantino movie and stab them in their undead, vampire hearts. While all the locals thank me for taking care of their vampire problem, the Vivian Girls will be blairing out of my vintage Mustang.
Craig Finn’s cast of characters are back in more episodes of discouragement, dead ends and hopeful dreams. I’ve totally bought into the world he’s created. I want to know everything about the people he sings about and would pay at least $20 for a companion book that expanded upon the songs. And man, there’s so many lyrics casually tossed off that just stick around my thoughts for a real long time. 
If you didn’t know that Moon High was from Ohio, you might think they make their music somewhere on a secluded California beach, dividing time between recording and exploring the rock formations in the ocean. There’s a casual beauty that sweeps the entire record that feels warm and breezy. A perfect album to get us through the winter.