Category Archives: Review

Robert Pollard Shows Up to Watch Guided By Voices Tribute Concert in Columbus

Last night, as my bud Dan Bell drove us to the Treehouse, I got a text message from Joe Peppercorn at 9:02: “Bob Fucking Pollard is at the bar!”

At 9:09, a text arrived from Justin Hemminger of SPD GVNR: “Uncle Bob is here.”

Being a fan of GBV, and having seen Pollard get hammered at random Ohio bars over the years, this revelation shouldn’t have alarmed or surprised me. Pollard is a drinker. He is as well known for his obnoxious love of modest lager as he is for his high kicks and prolific songwriting. What made these text messages goofy was the fact that last night was Guided By Voices Appreciation Night at The Treehouse. Bob was there to listen to, as Kyle Sowash remarked, “a bunch of shitty bands play his own songs.”

Organized by Sowash, our berg’s enigmatic, happy and handsome, rock and roll prince, GBV Appreciation Night featured 10 or 11 Columbus bands playing nothing but GBV songs. Because if there is one band that most of us turds can agree on, the band is GBV.

When I finally got to the Treehouse, with my guitar and tacklebox in hand, all the slack motherfuckers set to play were both giddy and nervous. Pollard, his brother, Nate Farley and some dude that looked like a young Gary Busey (wearing camoflauge cargo pants), were at a table in the back of the tree room sucking down Miller Lites. A friend of a friend told me he heard Bob say, “I can’t wait to hear my fucking songs, maaaan.”

Peppercorn, pack leader of The Whiles, was all nerves. “I shoulda spent more time with the lyrics,” he said as we high-fived. Thirty minutes later into the night, the While’s were spot on during “Dragons Awake!” and “Postal Blowfish.”
Pollard hugged Peppercorn after the Whiles finished their set and instructed Joe, “you can play me in the Guided By Voices movie.” Joe had a face boner for the rest of the night.

As the Cabdrivers played, I hid in the back of the tree room. Everyone, including Pollard, was impressed by the Cabdriver’s rendition of “Cut Out Witch.” “Better than we ever diiiid it,” Farley said to Bob.

To stave off an allergic reaction to antibiotics, I was pretty juiced on Rolling Rocks and Benadryl by the time me, Adam Dowell and Dan Bell played our four songs. Bell had us drink Rolling Rock since all of the songs we played were from Propeller and Bee Thousand. It was GBV’s swill of choice back then, long before Bob and company started counting calories.

I’m not trying to glorify the modern molotovs. I’m actually trying to justify using cheat sheets with scribbled chords on them, because EVERY other band, at least the ones I heard and saw, played their sets from memory with a spirited, surgical focus. However, in retrospect, playing a lot of wrong chords may have been a more honest replication of the Crying Your Knife Away recording.

Bob bumbled out of the room at around the same time that SPD GVNR was about to play. It’s too bad, because he missed the best set of the night, including monstrous renditions of “Motor Away,” “Dayton Ohio Nineteen Something and…,” “Official Ironman Rally Song” and “Bulldog Skin.”

Everyone sang along.

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Other highlights:
THE KYLE SOWASHES – “I am a Tree” & “Goldheart Mountaintop Queen Directory”
ANIMAL CUBES – “Glad Girls”
WOOSLEY BAND – “Do The Earth”
ERIC NASSAU – “As We Go Up, We Go Down”
BOOKMOBILE – “Watch Me Jumpstart”

Billy Peake is the lead singer/guitarist of Bicentennial Bear.

Edan-Echo Party Review

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Boston Rapper Edan dropped psych-hop classic Beauty and the Beat in 2005. So long ago, that alot of us thought dood was a done deal. The album was so layered and textured that maybe it was impossible to follow-up.
Luckily, Traffic Entertainment broke Edan off with their back catalog of early 80′s rap, disco, funk and punk records.
This gave Edan more than enough to obessess over.

Like normally some 80′s Hip Hop throwback would make me want to vomit on the nearest nerd wearing a Jurassic 5 shirt. But there is no corny staleness on this.
The best I can describe is like this: Imagine its 1979, Hip Hop is burgeoning but you still listen to Black Sabbath. One night you smoke dust before painting a Subway Car. Afterwords, Your painting partner invites you to a park jam in the South Bronx where doods are relaying all kinds of records and chanting wild shit over a p.a. You’re buzzed off the xylene in the paint, and the joy of just doing your name big. You are faded and amped at the same time. Although you’re bugged out a little, you’re a chill bachleour. Still a royal charmer; So thru all this you pull a flygirl in tight jeans while still feeling really wavy. Continue reading

Live review: Megadeth

Early in the show on Wednesday night (Nov.18), I tweeted: New Megadeth sounds like old Megadeth sounds like good Megadeth.

Mustaine and co. turned in a great 1.5 hours (20 songs) worth of classic Megadeth hits plus a handful of new ones.

Megadeth setlist

Dave Mustaine

Read the full show review and see more pictures over on AtomicNed.com.

Andrew Bird/St. Vincent review

Photo by Jillian Mapes

I remember the first time I heard the name Andrew Bird. Though I’m somewhat ashamed to admit this, it was Friday, April 13th, 2007. (Yes, the last time he played the Southern Theatre.) The sweetly meek Chicagoan happened to be one of the faces I was serving at a restaurant that afternoon. I had no idea of the talent sitting in front of me and was honestly just happy he was polite and low-maintenance.

Two years later…

With the melodies still reverberating through my head a full week after the his Wexner Center show at the Southern, it’s safe to say the sold-out show was worth it’s equivocal weight in musical gold. (And I officially feel stupid.) Between the consistently eloquent tone of his lyrics and his equally impressive skill as a one-man ensemble, Bird himself proved to be a Noble Beast. His endearing awkwardness in small-talk between songs filled the theater with a charm that was inescapable. Bird encored with St. Vincent and covered Bob Dylan’s “Oh Sister,” which was a true treat.

Opener St. Vincent (aka Annie Clark) played an electric set that primed the anticipatory mood of the evening. Clark is touring on her newest album, Actor, which is a mature progression from the last. (I’ve found it impossible to stop listening to either.) She somehow managed to juggle a perfectly rosy demeanor with some bad-ass guitar playing in a way only someone who had once been in a 23-piece band could.

Both acts continue separate tours through the end of the year.

The Lindsay – Syrup Bag

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MP3: Nothin’ to Lose

Dragged Out, the 2006 debut album from Columbus’ The Lindsay, remains one of my all-time favorite Columbus releases. Unfortunately, due to the death of their label and, I don’t know, real life, the foursome has been unable to issue an official followup over the last three years. Though this has obviously been a disappointment to their fans, the band has soldiered on and used that time to become one of the top live acts in town while also sharpening their material on the live stage. The band is now able to reward the vigilant for their patience by issuing a new EP entitled Syrup Bag.

Syrup Bag is a 7-song ball of energy that includes versions of “Change My Oil” and “Thurston Moore Sed” that have been reworked since their previous appearance on the 2007 cdr Live At The Fillmore West. As soon as the intro to opener “It’s Not Easy” ends, the music rings with an emotional intensity that lasts throughout the EP’s 23 minutes. The band uses this fire to cover a relatively large range of moods for seven songs, boisterously bouncing from anger to cheeky contentment relatively easily. Despite all of these shifting elements, the material also displays a sharp focus on crafting a cohesive batch of scrappy bursts of song.

Lead vocalist John Olexovitch guides the ship with sharp wit and self-deprecating humor to spare, whether describing band communication problems (“Band Meeting”) or telling jaunty tales of the rock ‘n roll struggle (“Nothin’ To Lose”). The rest of the quartet carries their weight just fine though, with a tight rhythm section, chewy lead guitar parts, and backing/duet vocals courtesy of bassist Gretchen Tepper that follow Olexovitch’s lead perfectly.

Syrup Bag comes into existence with a release party at The Summit on Friday night (10/23). Besides the title attraction, the bill also boasts sets from fellow local stalwarts Brainbow and Outerspacist. More details here. Serious party for an album worth celebrating.

Weakened Wrap-up #17: America’s Next Top Blogger


Pictured: Built to Spill@The Newport

Bloggers/journalists are the worst thing. Oh man. i mean do you really think anything you have to say is more important than the thing I’m in the middle of? Like I give a fuck bout your website. I was in the middle of something important before you oh so kindly interjected. Maybe there was a reason your interview requests weren’t granted. Fuuuuuck.

Oh hey how’s it going? I’m feeling better thanks for asking. I meant to do this last week but after going to see that “Paranormal Activity” pos@Studio 35 and purchasing Them Crooked Vulture tickets upon arriving home, I awoke on Tuesday morning feeling as though I was hit by a Mac truck. That being said, I had no motivation to do anything so I decided to neatly(weakly) wrap up two weeks of shows at one go. I’m talkin Built to Spill, ipps, Buffalo Killers, Brainbow, The Lindsay, Gil Mantera’s Party Dream, Jemina Pearl and some website that makes Cringe look like Pitchfork. You know what to do. Continue reading

Daymon Day 2009 Photos & Videos

A few weeks ago we celebrated the 4th annual Daymon Day here in Columbus. We had a basketball tourney, tribute mural, emcee battle, parade and a rowdy dance party. We got our Rucker park on and then brought it into the streets.

For those that aren’t familar with Daymon Day but like things perhaps reading this article before or after viewing the following videos and pictures might give you some background info.

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This video shot by A.J.(i think) shows the parade.

Watch it if you think marching 300 plus people in the middle of the road to Black Sabbath, Dilla, Cam’ron, M.O.P. , DJ Przm, Camu Tao, Jim Jones,Pharoah Monche and Racist Joe instrumentals to honor their fallen loved ones on an OSU gameday sounds interesting.

Photos taken by Danielle Kline that show a different detail after the jump. Continue reading

Weakened Wrap-up #16: What you Think I Blog for, to Push a Fuckin Rav4?


The Flaming Lips@LC

Oh hey, remember this thingie? I know, it’s been a minute. Don’t wanna hear it. I bet you can only imagine that a ton of cool shit has happened since we last got up. For example, a weekend camping excursion with a bunch of dudes, guns and fireworks(in the streets) O.K. enough will the small talk. Oh man where do I even start, the older I get the less I remember.

In this issue of “How long is Robert Duffy gonna keep letting that jackass write this crap”, I saw some sicccckkkk psych rock via Subarachnoid Space, some weirdo noise band in luchador masks, some weirdo dude in a giant hamster ball, some weirdo dude hula hooping for a really long time and I went to that thingie down town that a bunch of bands played at.

If you’re really that bored at work today click the more thingie —–> Continue reading

MP3: Blakroc (Black Keys x Jim Jones x Mos Def) “Hoochie Coo”

Photo Credit:Danielle Kline from last years Jim Jones show. Not to be confused with the one I am mentioning in this blurb.

MP3:The Black Keys ft. Mos Def and Jim Jones – Hoochie Coo -

Dipset shows in Columbus, and Jim Jones in paticular were always an interesting spectacle throughout the duration of the crews artist thug -in-residency here in the C-O because there was always an feeling in the air that admidst that there may be some sort of animosity in the room.

witnessing what maybe  the source of stress in jim jones life after the jump

Continue reading

The Rothbury Report

4th of July with the Grateful Dead

4th of July with the Grateful Dead

In Donewaiting’s ongoing quest to report on global musical goings-on, my buddy Nate Renkes and I descended into the wilderness of Western Michigan to witness the Rothbury Festival over the 4th of July weekend. The site is 2,000 acres of campgrounds, woods, and the actual festival grounds, which contains 5 stages separated by the Sherwood Forest, a well-maintained wooded area with weird arts displays and the Speak EZ stage. The festival was an enjoyable four days of music, camping, and hippies, with solid performances from most acts involved. Big thanks go to Nate for his camping expertise and his photographic enthusiasm. Most of the pictures below are his.

Here are some pictures of the environment before a day-by-day breakdown: Continue reading