Tag Archives: black keys

Joel Oliphint’s Favorite Albums of 2010

If 2009 was the year of Larry Jon Wilson, 2010 was the year of Bill Fox and the Gibson Bros. I think I listened to Bill Fox’s two reissued albums — Shelter from the Smoke and Transit Byzantium — more than anything else. (Shelter got a deluxe vinyl reissue, and Scat promises a similar treatment for Transit in 2011.) Go get ‘em. And working on a story about the Gibson Bros. reunion show back in July occupied my brainspace and held my interest for months. I don’t know if CDR has any copies of the Build a Raft reissue left, but if they do, it’s required listening for any Columbus music fan or anyone with a passing interest in twisted, noisy country/blues/rock.

But in terms of new stuff, here’s what I liked this year, starting with national releases and ending with Cowtown LPs.


1. Strand of Oaks – Pope Killdragon
I didn’t immediately hit repeat when I heard this album, but once I came back to it, I never stopped. Who knew a record with songs about John Belushi (from the perspective of Dan Akroyd), a 12-foot man and JFK could be so engrossing. Devastating, too. If you think Tim Showalter is just another pretty-voiced folkie, the layers of synth and Sabbath-like riffs on “Giant’s Despair” prove otherwise. The best way to get Killdragon digitally or on vinyl is through Strand of Oaks’ Kickstarter page.


2. The Black Keys – Brothers
Ditto Duffy.


3. Anais Mitchell – Hadestown
A folk-rock opera about Orpheus sounds like a terrible idea. Thanks to Mitchell’s clever arrangements & talents like Greg Brown, Bon Iver’s Justin Vernon and Low Anthem’s Ben Knox Miller, it’s a tour de force.


4. Sam Amidon – I See the Sign
Sam Amidon takes old songs and makes them new. Oh, and R. Kelly songs, too. Fans of Nick Drake and Sufjan will dig this. Feb. 18 show at the Wex with Brian Harnetty is icing.


5. Local Natives – Gorilla Manor
No new ground broken, but I’ll take these songs any day over a lot of the big-name, anthemic indies who released albums this year.


6. Deerhunter – Halcyon Digest
People seem to either love or discard Bradford Cox. I love him. Album cover disturbs me.


7. Sufjan Stevens – Age of Adz
I went from disappointed to intrigued to enraptured with this album.


8. Spoon – Transference
I’m still waiting for Spoon to release a bad album.


9. Lost in the Trees – All Alone in an Empty House
Prediction: By this time next year many more people will know the name Ari Picker. He can strip a song down to its bones on one song, then compose a rich orchestral piece the next. Wex show Jan. 30 (more icing).


10. Patty Griffin – Downtown Church
I don’t imagine many Donewaiting readers are into country gospel. (I’ll echo Duffy’s preamble about what makes DW great.) When it’s done this well, I’m a fan. Guests include Buddy Miller and Emmylou Harris.

Mention-worthy:
Justin Townes Earle – Harlem River Blues (underrated b/c of daddy)
Surfer Blood – Astro Coast (kids are all right)
Shearwater – The Golden Archipelago (Meiburg the magnificent)
Mumford & Sons – Sigh No More (It’s in my most-played, so I must like it)
Sun Kil Moon – Admiral Fell Promises (underrated guitarist)
Love Language – Libraries (underrated b/c of …)
Vampire Weekend – Contra (Better than the first)
Kanye West – My Beautiful Dark Twisted Fantasy (“That’s why your Winslow”)
Mavis Staples – You are Not Alone (Legend made even better by Tweedy)
Lower Dens – Twin-Hand Movement (Jana Hunter > Devendra Banhart. Much greater.)
Mountain Man – Made the Harbor (Who needs instruments?)

Columbus albums
Like I said, Gibson Bros., but I’d remiss not to mention Columbus Discount Records‘ two other reissues I loved: Ron House’s Blind Boy in the Back Seat and Nudge Squidfish’s 20,000 Leagues Under Nashville. I liked some EPs, too (Way Yes, Spruce Campbells’ 1st) and a 7″ (TNV’s “No Room to Live”) or two, but I’m sticking with albums here. As usual, I’ll also clarify that I’m not separating these lists because these are somehow inferior or can’t compete with national releases. I just like doing it this way.

1. Super Desserts – Twee as Folk
Can’t say much more about this band and album that I haven’t already said. This is the Desserts at the top of their game.

2. The Black Swans – Words are Stupid
One way the Black Swans have honored the memory of violinist Noel Sayre is to still include him on this album, a meditation of sorts on how language fails us. It’s light, it’s dark, it’s great.

3. Time and Temperature – Cream of the Low Tide
I don’t know if this is an EP or an album, so I’ll say it’s an album. At long last. More from Val Glenn, please.

4. Ghost Shirt – Daniel
I don’t think you want to hear me talk about this band anymore, either. This record was a pleasant, late-fall surprise.

5. Micah Schnabel – When the Stage Lights Go Dim
It makes sense that the songs of the Two Cow Garage front man hold up with just an acoustic guitar.

6. Andrew Graham & Swarming Branch – Andrew Graham’s Good Word
I’m still surprised by how little press this Mexican Summer release got. “Take it Easy on Kathy, at Least she Can Dance” is one of my favorite Columbus songs released this year.

7. Nick Tolford & Company – Extraordinary Love
Soul! At least go download “End of the Night.”

8. The Kyle Sowashes – Nobody
“I threw up at Tee-Jaye’s on Wednesday night/ Pale-faced and clammy I was something of a sight/ We played a show at some basement bar/ And while they couldn’t pay us/ They gave us PBR/ So I took it as a challenge/ I tried to drink them all/ Each one went down better than the last as I recall/ And I’d forgotten to eat dinner/ I realized too late/ I got double dragon before the waitress brought my plate.” Long live Kyle Sowash.

9. Deathly Fighter – Completely Dusted
I remember seeing Deathly Fighter awhile back and being bored. It’s not usually my thing. But this album keeps me coming back. I think I like it for the same reasons I like the XX and Burial. Not that DF sounds anything like those two, but there’s something about a record that’s simultaneously chill and pulsing…

10. Earwig – Gibson Under Mountain
Didn’t get to this one for awhile, but now find myself humming these songs all the time.

Mention-worthy:
Phantods – Creature (need to spend more time with this)
Bookmobile – The New Patriot (bittersweet)
Two Cow Garage – Sweet Saint Me (consistency)

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Video: The Black Keys – Too Afraid to Love You (Live in studio)

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SXSW 2010 Saturday Recap

Cate Le Bon

Despite my confusion about whether I woke up in Columbus or Austin on Saturday morning, I triumphantly braved the cold and put in a good eleven hours of music listening/show-navigating on my last day of SXSW. My day began with a charming interview with the lovely Cate Le Bon (check back for full interview soon) and then took me to the MOG party where I camped out at for a number of hours. While there I caught performances by Dum Dum Girls, Demolished Thought (again sans Andrew WK), Freelance Whales, Broken Bells, The Antlers and The Black Keys.

Completely ignore the fact that I’m an Ohioan for one moment as I crown The Black Keys with the best performance of the party, hands down. Broken Bells was entertaining, but didn’t stray too far from what I might expect from a Shins follow-up of Australia.

The Black Keys

More bands and photos after the jump.

Grammatics

After spending a bit too much time enjoying a warm restaurant and food, I caught a sliver of Leeds-based Grammatics at The Phoenix (the most beautiful club I’ve entered in Austin). Cate Le Bon was next on my list as she played the Moshi Moshi party at Latitude 30. Her performance clinched my already substantially positive opinion of her music.

Crayon Fields

I quickly split after her set to catch the tail end of The Middle East, where they managed to pulverize their final song (“Blood”) in an epic Arcade Fire-style. My SXSW experience ended with another Aussie act, Crayon Fields, whose genuinely delightful sound gave me something to hum all the way back to Columbus.

Broken Bells

Freelance Whales

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Video: Blakroc “Ain’t Nothing Like You (Hoochie Coo)”

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Official video for the the Black Keys, Mos Def and Jimmy Jones Blakroc modern blues “Ain’t Nothing Like You (Hoochie Coo)” jump-off.

Blakroc in stores November 27th.

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Blakroc: Video of Rza Recording With The Black Keys.

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Remember when Black Keys were in Mass Appeal Magazine alongtime ago?

(I read it at a Books A Million in Lafayatte, Louisiana during the process of stealing the Espo book, “the Art of Getting Over”. I had already placed the book in my pants, and was flipping through magazines to ensure no one was following me.The article was about how this Akron band really liked the Wu-Tang Clan. So I stole that magazine too by curling it up and sliding the periodical up my shirt sleeve. Kinda risky but it was an impulse theft.)

Flash Foward a decade later.

Black Keys doing a Hip Hop album, Blakroc, with a zillion legends.

So Rza walks in the studio and says, ‘can I play some awkward guitar licks for y’all to build off of.’

Black Keys ,” sure!!”

So just as a fan, its kinda bugged to see Rza play guitar, rap and smoke weed with the Arkon band. Enjoyed watching the video throughly.

below is what is what one of the songs with the RZA sounds like. Also features Pharoach Monch of Organized Konfusion/ “Simon Says Get the fuck up” fame.

Blakroc comes out November 27th.

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UPDATED: Exclusive…Black Keys New Hip Hop Project: Blakroc

UPDATE: Blakroc’s official website is now live.

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Here in Ohio, the rumors of a Black Keys produced Hip Hop project intially started by a Jim Jones on Twitter awhile back are becoming a reality by Patrick Carney twittering ” Blakroc” a few hours ago. The current word swinging around Columbus graffiti and weirdo creep circles about the Blakroc project like chains and exhaust is this:

Blakroc is a hip hop album produced by the Black Keys that features Rza, Raekwon, Mos Def, Jim Jones, Pharoah Monch, Q-tip, Ludacris, ODB, Billy Danze of M.O.P., Noe and Nicole Wray.

The album has 11 songs and will be released 11 weeks from today on Black Friday (the Friday after Thanksgiving).

The album is being released on a label started by Dame Dash and The Black Keys management.

Given that Rae, and Mos Def both put out their best albums in a decade this past year, I have a pretty good feeling about this record and NYC golden era Hip Hop artists in general.

(And I live in a city where we throw parades for our lost local Hip Hop icons. So us Ohioans take our Hip Hop seriously)

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The Black Keys Last Night

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(Pat Carney of Drummer & Chris Lutsko of the Unholy Two of pose for a picture after the Black Keys show at Skullys. I lied to them and said it was for a men of Ohio indie rock calender that the proceeds would benefit upcoming victims of the Swine Flu. Jared Phillips declined to be in the nonexistant calender.)

I had to work before the show so I didn’t get a chance to get to see the opening act. I work at Magnolia Thunderpussy next to Skullys. So what I did observe was a line that started at 4pm which wrapped well past the Milk Bar and all the way down 5th.
I think every single person that picked up free ticket showed up.
Outside of a club rap show, I don’t think I have seen this much excitement around one band.
Ohio loves TBK.
I got there around 945 right when the Black Keys went on. Seeing a band as large as the Keys in a small venue like this is always amazing. Doods busted out “10 Am Automatic”, “Strange Times” & “Psycotic Girl”.
I don’t recall every song cause I spent the bulk of my time trying to convince girls to buy both DJ Detox and I drinks.
I would tell them Detox was sad because it was his birthday and no one remembered it. Then the girls would ask him about it.
He would tell them he didn’t know what the fuck they were talking about, that was I was lieing to them and look bewildered.
For some reason the girls would still buy us drinks.
After getting the drinks, the next move was trying to ditch the girls which was difficult because the room was so packed and no one wants to move out of the way when they are watching their favorite band.
So you then would just have to act like the conversation never happened.
Jolly goodtime. Amusing oneself while The Black Keys play loudly in an esctatic, intimate setting is perhaps the best way to spend an evening.
Pat shot the shit with us for awhile but declined going to Hendocs with us because the engine of his car had just exploded so he needed to get to Akron.

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SXSW: Scene Magazine party to feature The Black Keys

Bands: The Black Keys, Health, The Cribs, Soundtrack of our Lives
Date
: Friday, March 14 (12pm – 5pm)
Location: La Zona Rosa ( 612 W. 4th Street)
RSVP: N/A

This show is being put on by Scene Magazine out of Cleveland. No information has been given about whether or not you need to RSVP for this party or can just show up. Needless to say, any party involving the Black Keys is going to be insanely packed and difficult to get into.

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