TOP 21 ALBUMS OF 2008

It should be noted I only counted albums released in 2008. If it was released digitally in 2007 it was NOT eligible … which is why you don’t see Radiohead, Robyn or MGMT on this list.

TV on the Radio, Dear Science
This mixture of high art and dance floor squonk not only bears up over repeated listens, it actually gets better. In that most rare of occurrences, the album I found myself turning to again and again too sate my more base musical desires also ended up feeding my intellectual hungers as well.
MP3: Dancing Choose | Buy on Amazon

TOP 10 RELEASES BY CHICAGO BASED BANDS IN 2008

Tom Schraeder and His Ego, Lying Through Dinner EP
On his latest EP Schraeder often mixes Americana with the feel of a humid New Orleans bordello. Boozy, swinging strains spill out of darkened nightclubs into puddle-splashed streets. Rouged nipples brush inches away from the unshaven crevices of a miner’s chin on the boozy sing-along “When You’re Not Around,” an excellent compliment to the soaring hopeful organ strains permeating “Guadalupe Cries.” Schraeder expertly mixes the dark with the light creating a chiaroscuro effect on his compositions.

Local H, 12 Angry Months
12 Angry Months deals with the intensely personal cycle of the demise of a major relationship and the year of fall-out that follows. It’s not like break-ups are exactly unusual territory in pop music, but Local H’s Scott Lucas has the undeniable talent to take an individual experience and expand its relevance to universally touch. Lucas still has a gift for injecting a darkly pretty melody into even the most abrasively angry guitar lines, and Brian St. Clair’s drumming is both massive and tasteful. This is the near perfect album Local H has been threatening to make for years … all it took was something deeply personal to allow them to make a universal statement.

Milk At Midnight, Less love More Acid
Milk At Midnight’s sound is chimeric, with the primary sonic tether between tunes being the group’s ability to graft memorable melodies onto craggy surfaces. The other connecting point is angry lyrics that both condemn and soar. The sunshine is there if you really quint and search it out, but eventually your eyes are going to tire and the light will temporarily slip from your vision again. It’s the hope that keeps us going even as I stare wide-eyed at the horrors around us.

Grammar, The Grammar Self-Titled Short Player
Grammar has the potential to grow into kings (and queen) of Chicago’s orch-pop particular scene. The band’s debut self-titled EP contains six songs of wistful and airy pop that flickers and twinkles, delighting the ears. Jaunty piano numbers melt into choirs of intertwining vocal melodies, politely restrained rockers descend from above, sparse and cutting acoustic odes seep in underfoot, and pleas for inclusion are folded into tiny synthetic symphonies and plinking xylophone runs. Sound like an earful? It is, but it’ll leave you wanting more. Not bad at all for a debut EP.

Walter Meego, Voyager
Voyager is one hell of a first album. It’s slinky, sexy guitar and synthesizer lines kiss and cuddle with each other, while the underlying beats seem destined to unleash a whole new class of freaky line-dancers getting ready to make babies. Their urbane, sophisticated delivery gives off images of disco balls, DeLoreans, glow sticks and day-long lollipops.

Fall Out Boy, Folie à Deux
Shut up, I don’t care what you think. Once you get past Pete Wentz’s celebrity antics and allow yourself to become enveloped by Patrick Stump’s powerhouse vocals that forsake emo delivery for good old fashioned soul you’ll begin to realize why Fall Out Boy’s albums actually seem to be getting better as they get more famous instead of the other way around.

Prairie Cartel, EP 1
The Prairie Cartel’s debut 12″ successfully lays out the group’s sonic manifesto in two original tracks, a cover, and a remix. Think of it as punk blood coating a Go-Go cage. The highlight of the EP is the cover of 999′s “Homicide” since it does the best job of offering the group a chance to let their talents for truly mixing the big rock with the surging dance. In my opinion it also does the best job of capturing the group’s electric at times careening live show.

Textbook, Boxing Day Massacre

Boxing Day Massacre is equal parts All, Uncle Tupelo, and Cheap Trick. “Desperation Free” is the sort of song that lyrically appeals to the eternal 15-year-old in us, while sporting a a musical envelope that would fit equally well on Fuse or in the back room of Hideout. Textbook is one of those weird beasts that I could see the kids going gonzo over while the older crowd hangs near the back by the bar and tips perspiring bottles of PBR the band’s way in admiration.

Big Science, The Coast Of Nowhere EP
Big Science came out of nowhere during the latter quarter of this year to blindside us with their glam-pop. Their ’80s-inflected pop would have put them in permanent rotation on 120 Minutes between vintage Cure, INXS, and XTC. And believe us, I mean that as one of the highest compliments I can offer to a pop band. [Download the EP for free]

Parks and Gardens, Avec Cloture
Parks and Gardens doesn’t really deviate from the form of loop and sample laden rockin’ designed with the discotheque in mind, but instead of utilizing those elements to create a cliche they inject an angular artsiness into their songs. In effect this creates a minor agitation in the listener, and I think that’s kind of a bold move for any band trying to ingratiate themselves with a crowd not particularly interested in anything beyond basic Sybaritic pleasure.

THE 50+1 SONGS OF 2008
(in almost no particular order)

These tunes are all songs that will scream “2008!” any time I hear ‘em. They may not be the highest charting singles, and some are barely even known to more than a handful of people … but they are the top tracks on the mixtape that defines the feeling and experiences of 2008 for me.

MGMT “Kids”
Hey Champ “Cold Dust Girl”
Walter Meego “Girls”
Katy Perry “Hot N Cold”
The Black Ghosts “Repetition Kills You (with Damon Albarn)”
Neon Neon “I Told Her On Alderaan”
George Pringle “Carte Postale”
Alphabeat “10.000 Nights Of Thunder”
Amanda Palmer “Oasis”
Beck “Chemtrails”
Beyonce “Single Ladies (Put A Ring On It)”
Black Kids “I’m Not Gonna Teach Your Boyfriend How To Dance With You (The Twelves Remix)”
British Sea Power “Down On The Ground”
Chairlift “Bruises”
Coldplay “42”
Cut Copy “Lights and Music”
Does It Offend You, Yeah? “Dawn Of The Dead”
Estelle “American Boy”
The Feeling “Turn It Up”
The Futureheads “Think Tonight”
Hot Chip “Ready For The Floor”
Jay Reatard “See/Saw”
Kanye West “RoboCop”
The Killers “Spaceman”
Ladytron “Ghosts”
La Scala “ Love! Love! Love!”
Ladyhawke “My Delirium”
Lettuce “Blast Off”
Lily Allen “The Fear”
M83 “Graveyard Girl (Speechless Edit)”
Mansions “The Worst Part”
Mardeen “Telephones”
of Montreal “Gallery Piece (Jon Brion remix)”
Phantom Planet “Leader”
Pink “So What”
Prairie Cartel “Homicide”
She & Him “I Was Made For You”
The Submarines “You Me and the Bourgeoisie”
Supergrass “Rebel In You”
The Boy Least Likely To “A Balloon On A Broken String”
Titus Andronic
The Ting Tings “Great DJ”
The Virgins “Rich Girls (RAC Mix)”
Weezer “Pork & Beans”
What Made Milwaukee Famous “Sultan”
Friendly Foes “My Body (Is A Strange Place To Live)
Black Mountain “Stormy High”
Darker My Love “Two Ways Out”
The Hold Steady “Sequestered In Memphis”
Local H “White Belt Boys”

…aaaaand, while I was DJing the song regularly last year, it didn’t really explode until the summer so…

M.I.A. “Paper Planes”