Tag Archives: Def Jux

Tonight In Columbus:Camu Tao’s King Of Hearts Release Party @ Skullys

Welp. I’d link to think anyone who claims to like music is aware of this. But we all have our own lives to lead. HOWEVER, All Eyes in the underground hip hop galaxy focus on our city as we being the home of some of the greatest talent ever celebrate the release of Camu Tao’s King of Hearts album on Def Jux/Fat Possum Records.
El-P is flying in to present our city the album, and enjoy the city that Camu loved.
ooohh so a national release in Columbus…say word..
but wait..lets not get too cool.
All the proceeds from the door benefit the James Cancer Center.
So..hopefully you will come and join us.
I feel like this is one of the musical moments that someone with pyrotechnics at the Schott could’nt trump.
5 dollar suggested donation.
DJ Pos 2, DJ Detox, DJ Carol, DJ True Skillz, and DJ Drastic on the tables
Hoster by El-Producto.
Album plays at midnight.
the packaging will make you cry.
In the Short North. At Skullys. On High Street. In Columbus Ohio.

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RJD2 Interview About Columbus Graffiti, Howard Zinn, The Colossus & Mad Men


All Photos by Dan McMahon except the Holy Roller.

As we have said repeatedly on this website. RJD2 is headlining our 7-Year Anniversary at Skullys this Friday Feb 5th. Ticket info and line-up here

RJ is an old friend of mine, so in this informal interview we chopped it up about his brief graffiti career,walking the tracks near the Ohio State Fairgrounds, the passing of Howard Zinn, RJ’s new album The Colossus and his theme song for TV’s Mad Men.

I remember when I first heard your name in Hip Hop discussions around town, graff writers were like…thats RJD2 blah blah he is down with A-Team? A-Team had pieces at the convention center and CAP that hit you up… This question is more for the graffiti dorks but…?

so i moved to the bay area after dropping out of college. i had my records and turntables and stuff, and one of the dudes who i stayed with shortly was down with the a-team guys, this dude cliff. he was the only guy i knew in the city at a point, and then he left too. so the only people i knew in SF were cram, esa, this kid beaver who i cant remember what he wrote, but he would do these “god is love” pieces all over the city, and a few other guys. so they sorta inducted me in as the unofficial a-team dj or whatever. those were the only kids i knew in the city, really. so i’d hang with them, maybe go out a little here and there with em while they painted, but not too much. i later found out that esa had a columbus connection. and then cram moved to philly after i’d been here a while. small world, basically. and my friend cliff lived near and was friends with mike giant, and looked up to him-in 95 SF graff world, he was a really big deal, up there with twist and amaze and the like upper echelon of bay writers, so i met mike thru him. esa later moved to LA, and i think she was doing fine art or something. cram actually was doing public murals for a living for a long time. i guess mike giant got involved in tattoos, but i havent spoken to him in a loooooong time. but in short, all the a-team guys were just cool people, no ego shit, just real friendly folks.

The last song on Colossus, “Walk With Me” talks about walking the tracks.
haha, yea. that was actually a reference to the tracks behind summit and 71; i used to walk those tracks with my dad when i was young, and we would just rap for hours.

It reminds me of when you, Wands TM7 , myself and a couple other BSA cats used to go paint freights right before you moved away…remember that?

yea. those were fun times. its funny, cause those were really the only times i ever went out and painted,actually. when i was with the a-team guys, i would just hang out and watch. its funny how you can be way out in nowhere-wherever they “park” freights- at 2 am and still even think about whether someone might see you. i remember doing that roller piece that said “def jux”, with everybody’s names on the label, kinda as a favor or whatever. i showed it to those guys, and they got really freaked out like “dont show this to anybody, someone could come after us”. i was like ummmmm…..that’s not gonna happen….

Why did you choose to do rollers?
oh, cause i dont have any sort of hand style, really. the whole can control thing is really something you gotta practice obviously, and im not a graffiti writer. nut rolling, you just go big. period. that’s it.

The song itself if more about getting back an communication with people in a private space if I’m correct..
Do you walk around much?

yes, you’re right. really just about the connection between walking and talking, in a literal sense. something about walking
seems to give conversation a higher level of purpose for some reason. i spend a fair amount walking
my dogs here in philly. and if im on tour, im walking alot.

A few months ago you were talking about Howard Zinn who recently passed away. What is something that you’ve learned from him?

wow. too much to put down on paper really. i guess the biggest bullet points i took were that A) you always always always need to think for yourself. there is no moral justification in the fact that anything has any sort of populist support. and B) the thing about how Ireland didn’t have a popular vote in the 19th century, and they were hugely successful in universal labor strikes. and apparently they found that implementing a popular voting procedure pacified peoples’ desire to voice their opinions through effective means. it completely spun my perception of a democratic vote in the US around. i was hardcore “do your part-vote”, in the last election. now, im realizing that there is not alot of connection between my pulling a
lever in a booth, and the social and economic issues that are important to me. they actually have very little direct connection, personally speaking. im realizing that there is a big chasm between voting once a year, and actually being active about the solution to any particular issue, or channelling your energy into something effective.

What books did you take on the last leg of tour?
malcolm gladwell’s “what the dog saw”. he’s got a knack for that sort of “pulp science” writing. im a sucker for it.

What are you reading on this leg?
“walking the dinosaur”, “righteous dope fiend”, and some other book i cant remembers. its all on my kindle.

What did Kenna bring to “Games You Can Win?”

a great voice, and a keen ear for vocal production. i had the song written and demo-ed, with me singing it, so i just sent him a lyric sheet, and the instrumental. he added the background vocal parts, and some of the little ad libby things. im thrilled with how it came out. in fact, there’s a chipotle on the east side of columbus; that’s where i got the call that he liked the song and wanted to do it.

What video games have you beaten recently?
nothing, really. i’ve been so busy in the last 2 years, i’ve only played 2 games: bioshock, and resident evil 5. looking forward to bioshock 2. thats gonna be amazing.


“A Spaceship for Now” is my cut. So futuristic…Is there anything you wish someone would invent?

thanks, man. im surprised we dont have hi fidelity wireless headphones. and ipods that you just directly interface
to exchange music. but i guess that’s the zune right? showing my horribly ingrained apple bias there.

The song that feature Phonte is very leisurely and happy, on some playing croquet type steez..What do you guys do when you hang out?
we dont get to hang too much, but its usually centered around food. its supposed to be some sort of classy soul type of song. he’s a great dude, he’s suuuuuper funny in person. totally fucking hilarious.

“A Son’s Cycle” is beautiful. Is that consistent fear in an artist life? The people’s love disappearing? When the cycle ends? Or do you in some regards look forward to it?
yea, i think so. all those guys came up with the content. i came up with the formatting, and the idea for the vocals to interweave with each other, just as the parts of the beat do the same. it just came together perfect, and the refrain at the end was something i added, cause it seemed like it was appropriate for it to really lean on the somber note of reggie’s last few lines. i love what those guys did with it. im stoked. really, in a way, i feel like that’s a first in rap music. i dont know of any other time that both 3 beats AND rhymes were woven together like that.

Is “Gyspy Caravan” inspired by the Johnny Depp movie?
no. its about the phils winning the world series. the city erupted. it was pandemonium. like 75 arrests, tons of lootings downtown, it was nuts.

“Spaceship for now” and “Gyspy Caravan” were not made in the same week were they? How do you as an artist jump moods like that?
maybe not same week, but same time, yes. its just like eating different foods. if you eat ethiopian alot, and burgers alot, its nothing to have one for lunch and one for dinner. same thing, really. no biggie. i just wanted to make sure that i treated each song respectfully; if it was gonna be a guitar song, then let it just be that. if its gonna be a wierd synth psychedelic thing, then dont go slathering guitar all over it.

What’s the cohesive link that ties it all together?

dunno. dont think there needs to be. but i do feel like im writing the same 5 chord progressions over and over. that count?

It works..Did you tivo Mad Men the first time it aired?
no. 1-i had low expectations. its on AMC! they didnt have shit in 2006. 2- by the time i realized i liked the show, it was already out on dvd.

How did that come about?
really simple. they asked to use the song. we went back and forth on some terms for a few months. once we hashed it out, that was that. done deal.

Since you can make money doing Soundtracks….what keeps you touring and making music?
aha! DEFINITELY making music. but touring? that’s a different story. i dont want to wake up in my 40′s and realize its the only lifestyle im accustomed to. so we’ll see…..

Sent from my Verizon Wireless BlackBerry

Be Sure to Cop the Colossus..It’s a Bustown friendly banger. Buy it on on Amazon or directly from RJ.
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Posted in Columbus, Graffiti, Interviews, Wes Flexner | Tagged , , , , , , | 9 Comments

El-P’s Official Statement on the Fate of Def Jux

Read El’s official statement on Def Jux’s Website

This year, a decade after starting DEF JUX and after overseeing the releases of some incredible albums including the forthcoming release of my dear late and great friend Camu Tao’s brilliant “KING OF HEARTS” LP, I’m stepping away from my duties as artistic director for the label to concentrate on what I love most: being a producer and an artist full time. This is something I’ve been contemplating for a few years now, and can’t think of a better time or, with the eventual release of Camu’s record, a more poetic way to transition into a new direction.

This means change for JUX. Of course we’ll still have our website, we will still sell our catalog, merch and more as well as bring you news and updates on all our projects and artists. We will be releasing “KING OF HEARTS”, a DEF JUX remix compilation, a 10 year anniversary retrospective and some other goodies. But then as a traditional record label DEF JUX will effectively be put on hiatus. We are not closing, but we are changing. The process is already underway, and the last several months (for those wondering what the hell we’ve been up to) have been spent dealing with the technical aspects of wrapping up the label in it’s current form and re-imagining our collective and individual futures.

If you watched the Vast Aire vs Def Jux beef that brewed from May to Mid August this year then you prolly knew change was in the air.

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I Know Some of Y’all Hate Fun..

Blueprint masked up for Halloween @ So What Wednesdays.

But I am like fuck it. I came across a Flickr account post by Bridget Eshbaugh that had lots of shots of people enjoying themselves at various recent events in Columbus

Monotronix



After the jump, photos from the Daymon Day Parade, Hangar 18, Saturday’s Chateau Awesome House Party, Get Right, Monotronix, and Party With the Universe


True Columbus Culture

RJD2 & Zerostar @ Daymon Day Parade

Rappers Getting Ready to Pay Tribute to Przm

Monotronix @ Bourbon Street

Monotronix @ Bourbon Street

Johnny Cashola & DJ Detox @ Get Right

Sweatin’s Scotty Cockblock Flossing his Severe Snitch Slaughter Shirt @ Get Right

Midwest Hip Hop Heavyweight DJ Top Speed @ So What Wednesdays Halloween Party

Zerostar dressed up as Mac Daddy of Kriss Kross for Halloween

Magnolia Thunderpussy’s Danielle Kline’s March of the Penguin’s Halloween

Def Jux’s Hangar 18 @ So What Wednesdays,Bourban Street

Alaska of Hangar 18

Dirtnap & CJ Resurrecting the Mental Dead @ the Egypt of the Midwest, Carabar

Partying With the Universe Crowd Shot @ the Egypt of the Midwest

Johnny Cashola Sporting that Egyptian Musk

Sweatin’s D & Rachel @ Chateau Awesome


Dj True Skills @ Chateau Awesome

Brooke, Dave and Erica

Geoff is taller than Jeff

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El-P and Jared Leto aren’t feeling Spankrock.

I saw this over @ www.low-bee.com and thought it was kinda funny:

Funcrusher El-P thinks Spankrock is bullshit—>here. And I guess Jared Leto and Spankrock aren’t feeling each other according Stereogum.–>here. In a more localized response, as I am typing this with the Spankrock website window open, an annoyed ex-graffiti writer turned Chef , Nerd 1 is asking me what is this crap that I am listening to right now. And keeps telling me it sounds like Fergie

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Aesop Rock: None Shall Pass

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MP3: None Shall Pass

Similar to Atmosphere finding pop-punk fans, Aesop Rock‘s buddying up with suburbanites most favored pastimes (video games, cartoons) without much edge were prolly big points in indie-raps ability to make fiscal ends meet, but also allowed most critics to convince themselves that Paul Wall, and Cam’ron were more avant-garde than those had been championed as the Bukowskis and Shoepenhaurs of their genre.

Thats how I took “Fast Cars, Daggers, and Knives”, Aesop’s last ep, and to a lesser extent “Bazooka Tooth”. He became a middle class guy whose most interesting thing about him was that he could be a cynical dick and he prolly owned the Japanese version of the Playstation 5 and a Sex Pistols album.

Now in the past, Aesop had been a paranoid post-modern, fatalist/scratched idealist, who had realized the high standards of work ethic and existential willpower can have some fatal crashes.
Like how he went from “Labor Days” Daylight’s proclamation, “Life isn’t a bitch, Life is a beautiful women. You are just mad cause your just an asshole that can’t sweet-talk the princess.” to “Maybe your just to asshole. Maybe I am just asshole” of Nightlife.

What a difference 9-11 and the ending of a serious relationship meant to ones concept of what was possible.

So after the Nihilism from heavy trauma came the video games, Nike and prolly a cartoon channel. He prolly got happy because he was getting money. Can’t fault a guy for getting happy, and healthy. But in my opinion he became a parody of himself, and possessing a complete lack of urgency.

Well, “None Shall Pass” bucks this trend.


The Rockness Monster meets Saafir meets a Long Island Jewish man with blunt smoking habit voice, and flow is still in tact. And lyrically, homeboy is back to being Heidegger or some other philosopher that wrote so technical that my pea-brain just picked out the parts that registered meets Hell Rell. And thats what Aesop should be—you kinda pick out the parts that pull you in and go from there. Then he says fuck you in a clever way.

Earlier this week, I wrongly repeated that Pluto had left the universe. It hasn’t left the universe, it was simply demoted to a dwarf planet by astronomers in charge of giving planets complexes. How did I know the crackpot talk I was speaking wasn’t even based in reality? Well, Aesop Rock has a song called “Bring Back Pluto” basically lobbying for Pluto to be reinstated. Now, I am not sure on what the hell Aesop intended but then again, when did an artists intention ever really matter. He might not get it either. It’s about as big of waste of time as any DVD boxset that isn’t the Wire, X-Files or Sex & the City. I mean that in like an RPG manner.

But at least he makes me sit and dwell on the idea of a planet being told it’s not a planet anymore, and its place in the universe has lost its significance.

There is also a song on the album where Aesop talks about some dood getting used for an apartment and sex by a girl, where at some point he describes the guy a “simple simian that let her live with him”. And he has a song called “Pigs” which I assume is about hating cops, or greedy people. He tells the pig that he is wearing “one ugly fucking tie”. And there is another song about not being a communist but still talks about money in a manner that would appeal to a left wing college student. I mean that in a good, vanguard manner.

The production on this album is handled by Blockhead, El-P, and Aesop. Some of the basslines that were on Appleseed seem to be back. And long gone are the Eminemish drums that plagued Bazooka Tooth.

All and all, the album is good.

“None Shall Pass” coupled with El-P’s “I’ll Sleep When You Are Dead” make Def Jux 2 for 2 at a time when their genre needs it the most.

BUY: Amazon.com

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Going Away Party For Juan Davis Tonight

Envelope will be performing tonight at Cafe Bourbon Street as part of a going away party for Weightless souljah Juan Davis. Here is a video of Juan doing his thug thizzle at Comfest.

Juan is moving to Cali to enlist in the hyphy movement. The war on Iraq and hyphy movement have very similar failures: popular in small regions but only resonating with white suburbanites nationally. So Juan is going to attempt to remedy that. Joking. Juan is moving to Cali to be warm and live with his girlfriend.

Juan is an intergal part of Hip Hop scene in Columbus. When I first met him, he had just been featured in the Dispatch as a spoken word poet. I think that was like 2000. He had a stint at the Alive. I remember him reviewing the famous Aesoprock/Weightless/MHZ/Atom’s show at DIY venue Thieve’s World. I was just a vandal then, and was stoked that writers got mentioned in the paper for their help in the event. Juan went on to being a crucial behind the scenes person in Bustown Rap, assisting Blueprint, Illogic, and anyone close to Weightless Camp for like 7 years. Hell. I ran into him at Barnes and Noble today, and he gave me a ride home.
He will be missed.

He posted his merch learnings here on Donewaiting.

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DJ PRZM MP3′s

Someone on a RIP PRZM thread that Blueprint started on Philaflava.com posted some PRZM MP3′s.
I thought it was a decent showing of some of PRZM’s work.

MP3: 1) Camu Tao – “Hold the Floor”
From “Definitive Jux Presents II” (2002)

MP3: 2) Illogic – “Off the Clock”
From “Off the Clock EP” (2004)

MP3: 3) Copywrite – “(O.H.) Ten Times” (12″ Mix)
Original appeared on “Cruise Control Mixtape” (2004)

MP3: 4) SA Smash f/ Cage – “Smash TV”
From “Smashy Trashy” (2003)

MP3: 5) Illogic – “Don’t Go”
From “Off the Clock EP” (2004)

There is also talk about Przm on The UGHH Forums and on Hip Hop Site’s News On the DL Section. On Hip Hop Site they accidently posted Daymon Dodson’s picture.
Here in Columbus,Ohio–> Omnimix, and Weightless.net have been centers for people to gather and discuss the deceased local icon.

Posted in Columbus, MP3, Wes Flexner | Tagged , , , , , , , , | 1 Comment

EL-P in Columbus Recap

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Photo by Johnny Cashola

Later this week, I intend on giving a brief history of the late 90′s Hip Hop indie rap boom, EL-P’s place in it, and how all of those things relate to Columbus Hip Hop (ie RJD2, Blueprint, Camu Tao etc) in a really simplified manner.

With that said, EL-P aka Jamie Meline appearing in Columbus last Saturday was way over due. Early that afternoon, EL did an instore at Mags. It rained heavily so the turn-out wasn’t amazing. As the Hip Hop buyer at Magnolia, it is always embarrassing when an instore doesn’t work out. You always feel like you are gonna bruise the artists ego. He took it in stride. I had interviewed EL for the Alive, so his opinion that artists need to connect with fans and all people in between out of shear fact that people like music was in practice.

Watching a notoriously cynical New Yorker sincerely be nice to people once again proved to me the EL-P really gets it. The juxtiposition of nihilism that anyone living in this world should possess and a respect of the fact that anyone gives a fuck about his music was something that other malcontents could learn from.

Like… Photo-op’s are retarded, wanting someone’s autograph is silly, the whole fishbowl process of an instore is awkward. But he would take the photos and sign the cd’s. He would talk to anyone that had anything to say. This might sound basic, but a lot of artists don’t get this.

I have had notable indie rappers in the store that treated their fans like idiot followers which caused people to stop buying the artists records.

You don’t have to pander. No need to be a prick.
Just as you aren’t a moron, your fans aren’t either.

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Well maybe I am a moron sometimes. But usually I don’t smile for the camera either.
Photo by Danielle Kline

The show had three openers: Slow Suicide Stimulus, Yak Balls, and Hangar 18. I missed SSS, caught part of Yak Bidalls, and all of Hangar.

Hangar 18 has been coming to Columbus and Scribble Jam since like 1999, so they get a lot of love from the local scene. Doods are really silly, and just enjoy making music. This translated on stage. Lots of energy. They ended there performance by rapping over “Welcome to the Jungle”.

Next Up was EL-P

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Photo By Johnny Cashola

El had two projection screens, blue lighting that created silhouettes, and a smoke machine that set-up a familiar, lonely futuristic environment. EL-P’s touring dejay, Mr. Dibbs came out first and let “Mad World” from the Donnie Darko soundtrack play. Normally, I would think this is lightweight corny, but it fit the mood.

A feeling of some distant force destroying you, while already existing in an alienated state.

It works.

El and hits hypeman rushed the staged and performed, “TPC” which the the hook is “This is the Sound of What You Don’t Know Killing You.”. It’s chanted over a reconstruction of music Mr. Meline had Mars Volta play for him. The song is about how people have accepted all the terrible things in the world without even questioning or resisting it anymore. It’s the first song off of the new album “I Will Sleep When You Are Dead”.

This album, like much of EL-P’s work, combines a fatalistic relationship with death, a biting and sardonic social commentary about day to day life, a strong hatred for the war in Iraq, plenty admissions of personal corruptions mixed with the idea that he is on some Hip Hop shit and he is a grown ass man that will handle his..

EL was dressed as a totured prisoner at Guantanamo Bay as seen in his video for “Smithereens”.

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Photo by Johnny Cashola

The bulk of the show was songs off the new album. El did perform Deep Space 9mm from his first solo album 2002′s Fantastic Damage and he rocked over the beat from Company Flow’s Vital Nerve and did the hook from the song,

The crowd didn’t seem to mind. They were going apeshit and singing every word. El noted that it took ten years for him to get to Columbus, and he was happy he finally did. The night before in Cleveland only 100 people had came out so he wasn’t taken the packed, eager room for granted.

He gave some interesting banter about cocaine usage before “League of Extraordinary Nobodies”. He mocked how coked out people talk to each other.

At the end of the night, El ended up doing like 4 encores, and eventually had to stop even though the crowd kept chanting his name.

It was nice to see that an icon go full throttle in fan relationship, performance, and concept. EL-P’s commitment to art, resistance, humor, hostility, and self-preservation resonated completely.

Smithereens Video That El’s Stage Show Was Patterened After

(El-P song Smithereens not the band)

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