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	<title>donewaiting.com &#187; Graveyard</title>
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		<title>Graveyard &#8211; Graveyard</title>
		<link>http://www.donewaiting.com/2008/05/20/graveyard-graveyard/</link>
		<comments>http://www.donewaiting.com/2008/05/20/graveyard-graveyard/#comments</comments>
		<pubDate>Tue, 20 May 2008 18:43:41 +0000</pubDate>
		<dc:creator>Andrew Patton</dc:creator>
				<category><![CDATA[MP3]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Graveyard]]></category>
		<category><![CDATA[Tee Pee Records]]></category>

		<guid isPermaLink="false">http://www.donewaiting.com/?p=4857</guid>
		<description><![CDATA[MP3: Thin Line Man, Sweden seems like a happening place these days (or, you know, from my distorted American perspective, it&#8217;s been cool for the last decade or so). I wonder how the live shows are over there, as that &#8230; <a class="more-link" href="http://www.donewaiting.com/2008/05/20/graveyard-graveyard/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<p><strong>MP3:</strong> <a href="http://www.donewaiting.com/wp-content/uploads/2008/05/02-thin-line.mp3">Thin Line</a></p>
<p>Man, Sweden seems like a happening place these days (or, you know, from my distorted American perspective, it&#8217;s been cool for the last decade or so).  I wonder how the live shows are over there, as that would be quite the road trip.  Anyway, the swelling American rock &#8216;n roll depot that is <a href="http://teepeerecords.com/">Tee Pee Records</a> (Brian Jonestown Massacre, High On Fire, Teeth Of The Hydra) recently issued the self-titled debut from Gothensburg&#8217;s <a href="http://www.myspace.com/graveyardsongs">Graveyard</a>.  This quartet claims old-school influences like Cream and Black Sabbath, and does a respectable job of honoring such touchstones.</p>
<p>From the somber opening drums of &#8220;Evil Ways,&#8221; it is obvious that producer Don Ahlstenburg (The International Noise Conspiracy, Soundtrack Of Our Lives, etc.) has helped craft a gritty throwback record.  Despite that (or inspired by it?), the band goes on to drop nine tracks worthy of today&#8217;s rock ears.  Lead singer Joakim Nilsson loves to howl on the fierier numbers (&#8220;Take Us For Fools,&#8221; &#8220;Lost In Confusion&#8221;), but can also turn out a comfortable croon (though he does verge into &#8220;Grover&#8221;-esque territory at times during the otherwise-smoldering &#8220;Blue Soul&#8221;).  Though the twin guitar attack of Nilsson and Jonathan Ramm does not delve into mind-bending pyrotechnics, there is a subtle (classically-influenced?) virtuosity in the instrumentation that keeps the proceeds light in front of the thunderous yet agile rhythm section of Bikar Edlund (bass) and Axel Sjoberg (drums).  The boys possess a tempered sound that, despite surges in volume and tempo, never allows the songs to come off as &#8220;happy,&#8221; so this is not a record to look to for a pick-me-up.  However, the somewhat-downtrodden subject matter is rotated enough to avoid a severe onset of depression (especially with the sentiment of well-chosen closer &#8220;Satan&#8217;s Finest&#8221;).</p>
<p>Though Graveyard is not exactly an original rock &#8216;n roll outfit, their style is varied enough to interest fans of both classic hard rock and more contemporary rock sounds.  This effort is sufficiently sturdy to show the potential of a bright future beyond the grave.
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