We’re just over a week away from the Ohio Film+Music Festival, which means we’re just over a week away from bands like RJD2/Icebird, the New Bomb Turks, Heartless Bastards, Cloud Nothings and others, plus films like never-before-seen Jim Jarmusch shorts featuring Tom Waits, 4192: The Crowning of the Hit King and Eric Mahoney’s North Dixie Drive.

So, in anticipation, we’re giving away two tickets to the Friday, Oct. 7 New Bomb Turks / Heartless Bastards / Cloud Nothings / R.Ring (featuring Kelley Deal) show at Skully’s and two film tickets to the Ohio Doc Double Feature, The Last Truck: The Closing of a GM Plant shown with North Dixie Drive (Saturday, Oct. 8 at 3:55pm). Just send an email to contestdonewaiting@gmail.com with the subject OFMF by next Wednesday (10/5).

Ticketing details for all events at OFMF.

The Ohio Film + Music Festival is a brand-new “curated, 4-day film and music event, exhibiting Ohio native directors, bands and musicians,” and the first round of confirmations alone is reason enough to get excited. So far the inaugural lineup looks like this:

Bands:
Heartless Bastards
RJD2
Blueprint
New Bomb Turks
Main St. Gospel
Cloud Nothings
R. Ring (feat. Kelley Deal)
Buffalo Killers
Eye

Films:
The Last Truck: Closing of a GM Plant (Steven Bognar + Julia Reichert)
True Nature (Patrick Steele)
Stranger than Paradise (Jim Jarmusch)
4,192: The Crowning of the Hit King (Terry Lukemire)
45365 (Ross Bros)
Deadbeat At Dawn (Jim Van Bebber)
North Dixie Drive (Eric Mahoney)
Double-Stop (Roger + Gerald Sindell)
Outside In (Todd Volkmer)

Eric Mahoney and Mr. Scott Johnson promise additional lineup announcements, ticket info and more details soon. Keep up with OFMF on Facebook and Twitter.

Heartless Bastards & The Gaslight Anthem
Newport Music Hall, Columbus OH
March 30, 2009

Keep reading for full photo gallery.

MP3: The Mountain by Heartless Bastards

I missed Heartless Bastards at SXSW, so I’m glad I have a second chance to see them tonight @ Newport Music Hall with The Gaslight Anthem. I’ve heard tickets are close to selling out, so if you want to go you might want to hurry up.

You can listen to entire set from Heartless Bastards at SXSW over here on NPR. And if you didn’t see it the first time around, click here for our extensive feature featuring Mike Carney, illustrator of the Heartless Bastards’ latest album artwork.

How Did This Project Come About?

The Heartless Bastards are on Fat Possum Records and I have been doing random freelance stuff for them since 2003/late 2002 when I did the cover for Thickfreakness for The Black Keys. Matthew Johnson (Fat Possum mastermind) really liked that cover.. (He once told me I should shoot myself because there is no way I will ever do anything better than that cover.)

Anyway, I have worked with Matthew for a while and he tends to flow me whatever work he can. Usually the bands already have an art guy and want nothing to do with me… in this case Erika (the singer/guitar player songwriter) told Matthew she wanted me to do the cover for her record. That was during the summer of 2008. I did some other random stuff for them leading up to this cover, (t-shirts and a poster) and that gave us some time to get used to working together. Their manager, Ginna, who is great, also played a huge roll in making this happen.

Early sketches

What was the initial direction you were given?

The only thing I was told was “a menacing mountain”. At fist I did a painting but I realized that my painting style does not really lend itself to being “scary”, so I did a collage. I originally wanted to use only scary/creepy imagery but I decided that would make it seem like some kind of goregrind album. I don’t know if it ended up looking menacing, perhaps it just turned out weird..

Painting idea that I didn’t use

The artwork for all three Heartless Bastard LPs dont seem to have any consistency… The first record was a photo of the band, the second LP was a drawing, and this one is a crazy Mountain collage. Was it your decision to not do an illustration/photo of the band?

From what I know, three different people have done the three covers. And from what I understand am the only person who had an excessive amount of time to work on the packaging. I was given a pretty open direction and was free to take it where I wanted. I probably could have done an image of the band, but I felt like an album called “The Mountain” should have a mountain on the cover. I usually try to avoid being too literal in how the name relates to the image, but I thought it seemed like the type of album title that required an image that relates back.

This project took like two months because I did a finished painting that took a month and then started over because it did not seem right… but that is no different from any project I have done of this nature. My goal is to make something the band is proud of and that they will still feel proud of in ten or twenty years.

Did you do anything different for the vinyl release?

The album was too long to fit on to one 12″ and not long enough to require double vinyl, so the album comes with a 7 inch that has a printed sleeve. The art from that is a modified version of the inside of the CD.

How long have you been illustrating album artwork and how many albums have you done so far?

Eight years. Wow, I just had to figure that out and it made me feel old. At this point I have done the packaging for 18 LPs, 2 dvds, and a bunch of singles/E.P’s. I did the first one my first year in college and worked on six different covers while I was going to school (CCAD). I studied video at school and tried to keep my freelance stuff a secret. I usually didn’t tell my teachers and I think they thought I was a slacker beacuse I half assed my school work so that I could have time to do the freelance stuff. I showed the dean of my department during my last semester and I think it blew his mind because all my profesors pretty much thought I was a loser (which is not to say that I am NOT in fact “a loser”).

What was your first album?

I did a cover for the band my brother was in before The Black Keys but that album will remain nameless. I did the cover for The Big Come Up but the label guy did the layout. But it was The Black Keys’ Thickfreakness where I did everything on that. That cover was done in a span of about two weeks during finals of the winter semester of my sophmore year at school. My brother and I drove around Akron trying to think of an idea and after about 4 hours we ended up at Super K-Mart because we needed stuff for a different idea. We found the can of pomade and immediately had the concept. We drove straight home, moved all of the lamps in his house into one room, covered his hand in pomade and shot about 100 photos.

Recent things that have been inspiring your work:

I feel like the internet has been clogging my brain, I tend to troll design blogs and what not, but that usually does more damage than anything. I check ffffound.com pretty frequently. A lot of what gets posted makes me bummed about design, but some of it is mind blowing. I really could go the rest of my life without looking at anymore design where the subject matter is design itself, such as illustrations of pantone books and nice typography that is about typography. That stuff makes me want to cut out my eyes.

Right now I am really into looking at books and magazines. I feel like I spend way to much time on the internet and I think printed stuff can resonate in my brain easier.

Here is some stuff I have been looking at lately.

This is one of my favorite album covers. When I am pitching a weird concept, a lot of times I bring up this cover. It’s weird, it makes no sense, but it’s amazing.

This is a retrospective of covers by Hipgnosis. They did covers for Led Zepplin and Pink Floyd. Peter “Sleazy” Christopherson from throbbing gristle worked there.

Mind blowing photos of mountain climbers from the sixties. I kind of wish I had this prior to doing The Heartless Bastards cover. This is a good book to look at when you feel overwhelmed. You may have alot of shit to do, but at least you are not half way through climbing a mountain.

I have really been slacking on going there lately, but I usually go and dig around when I am confused about what to do for a project. That’s probably my biggest inspiration in Columbus: all eras and genres of music and design for music. I would like to say I collect records, but a lot of my purchases are misguided, I tend to pass up GOOD records, for stuff with weird or really bad packaging.

Upcoming projects?
I am currently working on the art for the album Perfect Cities by a band called The Other Girls from Cleveland. The album comes out on Audio Eagle in May. I have only heard three songs but they are great, sounding like indie rock that I grew up on. Other than that I am kind of taking it easy.

Sometime in the late summer or fall I need to start on the new Black Keys album. They don’t record till around August, but I will most likely try and start sometime before that.

What about projects not related to album art?

My band, Deathly Fighter, has an album coming out sometime in the spring on CDR. We recorded it with my brother in Akron the weekend before christmas. We are currently getting everything sorted for the album release and will hopefully start recording new stuff in the next few months.

There is also a monthly thing at The Summit called Moral Tales that I dj at with detox and trueskills.

Show us your work area

Learn more about Carney on his personal website.

NPR Music will present a South by Southwest showcase headlined by The Decemberists at Stubbs on Wednesday, March 18, kicking off the opening night of this year’s SXSW Music and Media Conference in Austin, TX. The concert will mark the Portland-based band’s first live performance of its forthcoming album The Hazards of Love, which The Decemberists will debut in its entirety. Additional bands in the lineup, and NPR Music’s complete schedule of events at SXSW 2009, are to be announced.

Update:: Additional artists on the Wednesday, March 18, 2009 show at Stubb’s include Avett Brothers, Heartless Bastards, Ladyhawke and Janelle Monae.