Here’s an intimate video of Nick Tolford at a piano, sans Company, crooning an unreleased ballad called “Cancel Your Plans.” (“Cancel your plans and go lay out a blanket, and I’ll get a bottle of wine / We’ll spend our days as the sun fades away, holding hands it’ll be just so fine.”) Recorded live at Columbus’s Oranjudio studio, with video production by Ginger Attack.
And don’t forget that new Nick Tolford & Co. free covers EP, featuring “You Don’t Know Me,” “Ain’t No Sunshine” and “Stand By Me,” recorded at O’Shaughnessy Funeral Home back in 2010.
Comments Off on Video: Nick Tolford – “Cancel Your Plans” live at Oranjudio
Forget the Foster the People show at the LC on Friday. (And while you’re at it, forget Empire of the Sun and all the myriad knock-offs that MGMT and Passion Pit have spawned. BLAH.) If you’re dead set on catching a touring act, take a risk and check out Thrill Jockey’s Man Forever (feat. Kid Millions of Oneida) at Double Happiness.
I was going to pick a local show to preview, but they all seem worth at least a mention: Rumba has a solid triple bill with the Receiver, Way Yes and Saturday Giant; At Carabar, Nick Tolford, the Weight of Whales and Dayton’s Shut Up share a bill with Chicago’s Al Scorch; and the Tree Bar booked a folk-rock night with two relative newbies — Deadwood Floats (cover art for their “The Colours I Earned” single above) and Sovroncourt — and anchored by local chill-folk stalwarts Moon High and melodious Kafe Kerouac scenesters Audrey & Orwell. Check out the mp3s above for a taste of what the newbs have to offer. (Deadwood Floats RIYL Blind Pilot, and Sovroncourt accurately describes himself as “croak folk.”)
Use your Google and MyFace for more details on the shows. Oh, and the Columbus Arts Festival starts Friday, which also happens to be the day with the best music lineup of the fest, including Tim Easton and the Randys.
Other Friday shows you’re looking forward to? (Not sure what’s happening at Summit or Bourbon St.) Post in the comments or in the Hype section of the Friendship Farm.
While the excellent Cream of the Low Tide is on Bandcamp, most of the releases by Val Glenn aka Time & Temperature have been under the radar and hard to find (The Intimate VI EP, Trust Apples, a split with Jordan O’Jordan, etc.) unless you happen to know her personally or have friends in common. But recently she’s been putting a lot of her old stuff up on SoundCloud. So good.
T&T will be at Skully’s on July 29 with Blueprint and Nick Tolford & Company. Now that’s a lineup.
Comments Off on Stream some old Time & Temperature
If 2009 was the year of Larry Jon Wilson, 2010 was the year of Bill Fox and the Gibson Bros. I think I listened to Bill Fox’s two reissued albums — Shelter from the Smoke and Transit Byzantium — more than anything else. (Shelter got a deluxe vinyl reissue, and Scat promises a similar treatment for Transit in 2011.) Go get ’em. And working on a story about the Gibson Bros. reunion show back in July occupied my brainspace and held my interest for months. I don’t know if CDR has any copies of the Build a Raft reissue left, but if they do, it’s required listening for any Columbus music fan or anyone with a passing interest in twisted, noisy country/blues/rock.
But in terms of new stuff, here’s what I liked this year, starting with national releases and ending with Cowtown LPs.
1. Strand of Oaks – Pope Killdragon
I didn’t immediately hit repeat when I heard this album, but once I came back to it, I never stopped. Who knew a record with songs about John Belushi (from the perspective of Dan Akroyd), a 12-foot man and JFK could be so engrossing. Devastating, too. If you think Tim Showalter is just another pretty-voiced folkie, the layers of synth and Sabbath-like riffs on “Giant’s Despair” prove otherwise. The best way to get Killdragon digitally or on vinyl is through Strand of Oaks’ Kickstarter page.