Motion Productions is taking over Columbus. Well, invading it… for three days. To celebrate their two-year anniversary, they will be hosting shows this Friday and Saturday and next Friday (12/4) with the help of nine local bands. The schedule is as follows:
Friday, November 27th @ Ravari Room:
Wing and Tusk
Saturday, November 28th @ Ravari Room:
Pinkertones (Weezer cover band)
Friday, December 4th @ Skullys:
The Compressions (first Columbus show)
Mr. Fahrenheit and the Loverboys (Queen tribute band)
Columbus emcee Zerostar’s video featuring cameos by Envelope, DJ Detox, Jeff Fernagel, myself, Steve Hamilton, Zack Smoozyiak, Magnolia Thunderpussy, Used Kids, Carabar, the Columbus Police, and Skullys.
And we’ve got a pair of tickets to give away. To enter the contest, send a blank e-mail to email@example.com with the subject SLOAN. Winners will be randomly chosen next Friday. You can also purchase tickets here.
Don’t forget to download that new single, “Take it Upon Yourself,” at Sloanmusic.com.
Picture this. You’re a musician. You’re in a local band that’s created a steady fan base. You want to test the waters of your talent, so you accept a challenge that matches you randomly with four other people to form a band. You then have 8 hours to come up with two original songs and one cover with these people whose musical limitations are potentially a mystery. Following the minimal time spent conjuring up and practicing these songs, you must perform them in front of a full audience of your Columbus peers. Oh, and on top of all that, this year you get filmed every step of the way. Nervousness ensues, the pressure’s on. Welcome to the Rock Potluck of ’09.
In its 5th year of existence, the Potluck continues its raw artistic event, boasting a roster of 41 musicians from 41 Columbus bands. Though both the challenge and combination of personalities thrown together seem like an equation for an explosive reality TV show, there is an underlying positivity. The Potluck’s coordinator, Bobby Miller, feels that the event “helps bring the entire Columbus music community together in a very unique and supportive way. Each band creates a bond and ultimately the experience they go through and the music they make together is something really exciting to hear and watch and something they can all be proud of.” More than one band created within the event has continued to play out after the fact. Sandwitch, born in the ’03 Potluck (made up of Ron House, John Olexovitch, Brett Burleson, Bobby Silver and Zac Szymusiak) has put out a 7”, played at last year’s SXSW and will soon be releasing a full-length record on Columbus Discount Records. Continue reading →
Donewaiting presents Blitzen Trapper and Wye Oak at Skully’s on Tuesday, October 13. More info can be found here.
Before the interview begins, some obligatory praise for Wye Oak’s sophomore release, The Knot (listen to it, in full, at the end of the interview). Admittedly I was relatively unfamiliar with the duo (Jenn Wasner – guitars/vocals, Andy Stack – drums, keyboards) other than checking out a couple of MP3s from If Children that we posted last year on the site. That being said, within the first 5 minutes of The Knot, I emailed the duo’s publicist at Merge Records and said something to the effect of “Is it possible to fall in love with an entire CD before the second song has even ended? If so, I’ll drop to one knee and propose to Wye Oak on the spot.”
The Knot opens with the spacey “Milk and Honey” – the subtle effects-pedal-drenched guitar hanging in the background (the guitar playing – and the song itself – remind me a lot of Ashland’s Bel Auburn). It’s the first – and last – song that Stack will provide lead vocals on on the CD. The rest of the CD works on the ebb and flow of slow to loud, loud to soft that bands that Wye Oak have compared to are so proficient in (Yo La Tengo, My Morning Jacket, The Spinanes). It’s a beautiful sounding, at times loud and chaotic, CD and, as mentioned before, one that knocked me out from the get-go.
A few weeks into a tour with Blitzen Trapper, I sent Wye Oak some questions via email hoping they’d have internet access somewhere along the way. They did and the following are Jenn’s answers to the questions I sent.
Have you found that touring with a band like Blitzen Trapper – a band with critical buzz – has led to a “fan” buzz? Have you been pleasently surprised with the attendance at shows so far on the tour or have you played to smaller crowds than expected?
The shows with BT have been so excellent! It’s always interesting to play to audiences that aren’t necessarily there to see you. It puts you in a position where you have to try to win people over, and that really provides a good bit of energy and excitement, especially when you’ve been playing shows for weeks and weeks. It’s always really satisfying when you can get a good response out of an audience that’s never heard your music before. Continue reading →
This should be a great one. Blitzen Trapper‘s Furr (Sub Pop) was one of my favorites from last year, and the Portland band has a new EP, Black River Killer, out on Oct. 6 (eponymous mp3 below). Songwriter Eric Earley says here that the EP is completely separate from Blitzen Trapper’s upcoming album. A snippet:
So there’s been alot of questioning about the songs on the BRK EP, thought i’d do some explaining… Silver Moon is near four years old, recorded around three times in differing formats, Preacher’s has about the same timeframe, Black Rock and Shoulder are older dating back to the old house on 69th and Long where garmonbozia was recorded in ’02 and ’03 roughly. Big Black Bird was originally an instrumental track recorded at the 69th house for the soundtrack to a film we made entitled Who is Manfred Milner? or something like that, it ran during the final credits, the complete soundtrack i’ve never released, around the time of Furr or previous I recorded the version you now hear adding lyrics and other notable soundz… The BRKiller EP is in no way a linear follow up to Furr and is in no way exemplary of the new record which I’m working on and of which i’ve only spoken of in a few interviews and that mostly inaccurate and amusingly misleading.
That’d be a good show by itself, but Merge Records’ Wye Oak is on this Donewaiting/BenCo bill, too. I’ll let Chip tell you more about them soon…
We’ve got a pair of tickets to give away for this show, too. To enter, send a blank e-mail with the subject title BLITZEN OAK to firstname.lastname@example.org. A winner will be randomly chosen on Oct. 12. And, of course, you can always purchase tickets in advance.
Cincy’s Bad Veins – on paper – appear to be a bedroom/studio project for Benjamin Davis (vox/gtrs/keys) and Sebastien Schultz (drums), but the duo has been wowing audiences live with the help of a 1973 reel-to-reel tape player named Irene that augments the sound and fills in where other band members are missing. Their self-titled debut (released in July) is an experimental indie pop album that sounds a bit like Brandon Flowers (Killers) fronting a Sparklehorse/Apples in Stereo/Longwave mash-up.
Division Day, meanwhile, is a veteran of the first (and, to date, only) Donewaiting SXSW day party, performing in 2008 alongside El Jesus de Magico, Catfish Haven, Goes Cube, AA Bondy, Joseph Arthur, Midgetmen, and Spinto Band. Much like the Chicago-by-way-of-Columbus band the Loyal Divide, Division Day’s music has made a pretty significant transformation from a Granddaddy/Silversun Pickups-style indie-rock to something darker and more synthetic sounding (think: Radiohead + Nine Inch Nails – Trent Reznor’s anger).
Division Day/Bad Veins/Afortiori
Skully’s Music Diner
$8 in advance / $10 at door
Phantods, one of the hardest working bands in Columbus, celebrate the release of their new EP “Revival” on July 3rd at Skully’s Music-Diner with Mrs. Fahrenheit and the Loverboys. I feel like Phantods are a band that I don’t go out enough for and if you haven’t caught them, now is your opportunity. Creepy, melodic and super tight, they were kind enough to give me an mp3 to share so download the track “Revival” and tell me it isn’t one of the coolest tracks you’ve heard in a while…dare I say it’s a song I can’t stop listening to?
The Veronicas = ((Avril x 2) + Veruca Salt) + Enuff Z’Nuff drummer / Teen Disney
Originally marketed to a tween demographic, the twin sisters (Jessica and Lisa) that make up the Aussie pop-rock band The Veronicas have entered that awkward phase that Christina Aguilera went through after leaving Disney to start her solo career. They are good looking young women who appeal as much to guys in their 30’s as they do kids in their teens. And while it’s the kids who have their parents money to spend on merch, it’s the older audience that will take The Veronicas music seriously so the band has been touring rock clubs for the last couple of years rather than doing things like open for Miley Cyrus or The Jonas Brothers.
The Veronicas may tend to lean a little bit too much to the electro-pop (re: studio trickery) for my tastes but their more rocking songs do pack some Veruca Salt-like punch. And, while I realize he’s just a hired gun, it makes me happy to see Vik Foxx (Enuff Z’Nuff, Vince Neil Band, Warrant) as a member of the touring band.
Benco presents:The Veronicas with Pretty Reckless, The Love Willows / Skully’s Music Diner / $15 day of show / Doors at 7pm.More info here.