You don’t give a funeral speech until there’s a dead body. And while Donewaiting’s going to be pulling the plug this weekend, I wasn’t born yesterday. I remember Kiss going on their 141-date Farewell Tour in 2000/2001. And how did that go for ya, Kiss? I wrote a story for MELT Magazine in 2010 about The Scorpions final tour (yes, the band was still touring in 2012). Donewaiting’s not done, don’t let Duffy fool you. Maybe it’s time for a re-tool. Maybe it’s time for some fresh blood. Maybe it’s time to take a breather. But while there are bands like The Smiths that turn down all sorts of offers, you never say never to a reunion and I’ll bet you’ll see Donewaiting rise from the ashes – maybe not in 2013 or 2014. But, if Duffy doesn’t renew the URL, I’ll swoop in and snag it and put together my own scab version of Donewaiting someday, just like Axl and the band he continues to call Guns N’ Roses.
I suppose I should say thanks to Duffy and the Donewaiting family for the 10 years of letting me write about ’80s hair metal and The Damnwells. And thanks to those of you (hi Lisa Ragland!) who have come up to me in clubs around town and said, “Hey, aren’t you the guy who writes for Donewaiting?” It’s been fun and, hell, throwing the Donewaiting name around has gotten me into shows, gotten me some interviews, etc., that I probably wouldn’t have gotten on my own.
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The best CD of 1989 was released 20 years late! This b-list hair metal band brought original singer Ted Poley back for a reunion album filled with big hooks (“Hearts on the Highway”), bigger choruses (“That’s What I’m Talking About”), songs about girls (“Rocket to Your Heart”), guitar solos (“Ghost of Love”), and power ballads (“Fugitive”). Def Leppard and Bon Jovi’s recent efforts didn’t sound nearly this good.
Spread Eagle’s Ray West was my favorite singer from the sleaze-glam era (early ’90s). His solo debut may have been 15+ years in the making, but it was worth it as he updates Spread Eagle’s sound (which was similar to Skid Row, Guns N’ Roses, Motley Crue) by making it heavier and more aggressive (ala Godsmack, Disturbed, Killswitch Engage). I listened to this CD more than anything else this past summer.
My fears that The Damnwells were done were unjustified and proven false when the band released this FREE album in February. The older carryovers (“55 Pictures”, “Bastards of Midnight”, “Down with the Ship”) were my favorites initially but I grew to love the collaborations Alex Dezen did with his wife, Angela (“Dandelion”, “Like it Is”), just as much as anything the band has previously done.
Halfway through 2009, this album was my favorite. Though it’s billed under Lytle’s name, it’s really just an extension of the singer’s Grandaddy sound (spacey/dreamy indie-pop) and “Brand New Sun” may be one of the best, simplest pop songs released this year.
Blake Smith and Mike Willison hinted at their electro-pop/sample fascination as members of the short-lived alt.rock band Caviar but bring that fascination to full fruition (along with Local H’s Scott Lucas) on The Prairie Cartel’s long overdue debut (most of these songs were on a demo CD the guys gave me at SXSW back in ’07). The versatility of the music allows The Prairie Cartel to perform it live as either a full band or in a DJ setting with Lucas singing over pre-recorded sounds loaded onto an iPod.