Yuck is trapped in the early ’90s. It’s as if their TVs only show vintage episodes of 120 Minutes, their local book store only carries issues of Alternative Press and CMJ from 1991, and the record store carries CDs and cassettes released between 1989 and 1993. After last year’s amazing self-titled homage to Dinosaur Jr, Pavement, Superchunk, Yo La Tengo, Teenage Fanclub, etc., etc., they’ve now apparently moved to (or taken a slight diversion) to shoegazing bands like My Bloody Valentine with their new single, “Chew”.
Yuck bassist Mariko Doi has a side project called Parakeet that just posted a free track (“Tomorrow”) on Bandcamp.
The biggest struggle when putting together this list is how to rank the albums. What exactly is the difference between a #1 and a #2 album? Without doubt, Viva Brother’s “Darling Buds of May” was the song I listened to the most in 2011 and the album it comes from is pretty damn good. But is it my favorite album as a whole? The Damnwells have consistently put out great material and I’m sure I listened to No One Listens to the Band Anymore more, front to back, than any album on the list but did I do that because it’s the best album of the year or because I know the guys personally and listening to them makes me happy?
So, I decided the best way to do it is to list the albums alphabetically, showing no favoritism and not being forced to rank anything. A few comebacks, a few previous favorites, a couple of new UK bands, some metal, some country, some hair metal. Pretty typical for me.
AA Bondy – Believers (Fat Possum)
Not as barebones as early solo material, not as scuzzy as his ‘90s alt-rock band Verbena, AA Bondy split the difference on this moody, late night listen. Listen: “The Heart is Willing”
Anthrax – Worship Music (Megaforce)
The legendary NYC thrashers pick up where they left off the last time Joey Belladonna sang lead vocals (1990’s Persistence of Time) on 2011’s best (and most surprising considering some internal issues Anthrax had with short-timer vocalist Dan Nelson) metal album. Listen: “In the End”
AWOLNATION – Megalithic Symphony (Red Bull Records)
I would never have checked out this band had my old friend Christopher Thorn (Blind Melon) not been playing guitar. A complete 180 from Blind Melon’s sound, AWOLNATION’s slickly-produced techno-soul-pop shows a wide range of diversity from one track to the next. Listen: “Soul Wars” Continue reading →