Even the New York Times:
He takes boundless pleasure in language, seeming to to rejoice every time he uses a word like “pantaloons” or “pinioned.” He also has a thin, hale voice and four resourceful band mates. For “Leslie Anne Levine,” about a baby’s ghost (“My mother birthed me far too soon/Born at 9 and dead at noon”), the keyboardist switched to accordion, the guitarist switched to pedal steel, and the bassist picked up a bow. (full review)
We’ve been blabbing about them for some time now, but maybe you just needed to read about them via the NY Times?