Author Archives: Andrew Patton

Church of the Red Museum: Columbus Bands to Watch 2007

Editor’s note: Donewaiting.com and U Weekly are proud to sponsor Stephen Slaybaugh and Kevin Elliott’s Bands to Watch 2007. We’ll be posting video interviews, mp3s and more. You’ll be able to see all of the bands live at Skully’s, Saturday January 20th. For more information on the event, click here.

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MP3: “The Bay” by Church of the Red Museum

Stephen Slaybaugh writes:

The faces of the Church of the Red Museum will be familiar to anyone following local music, the bands’ members having played in such outfits as Go Evol Shiki! and Frostiva, but the jarring sounds of this new conglomeration are distinctly fresh ones. Forming near the end of 2005, the band quickly recorded and released a startling self-titled debut on local upstart label Manup in 2006. The band’s striking blend of macabre themes and Tin Pan–greased, chanty din bodes well for even greater things in 2007.

INTERVIEW:

(Photo by Kim Rottmayer)

Donewaiting.com Favorite Albums of 2006: Andrew Patton

I hope you haven’t been holding your breath for this! It has been another year of good music, and another year where I’m really not ready to produce a “Top of the Year” list in December and it takes until January. I made a late-year push to catch up on a great deal of music that I missed earlier on, but fell short in getting familiar with most of those releases. So I have assembled a Top 5 that I’m pretty sure of, 10 other top records that I really don’t know how to rank, and a local list. Enjoy!

1. Ghostface Killah, “More Fish”
A wide variety of critics have placed Ghostface’s first album of 2006, Fishscale, in their year-end lists. I don’t agree with that assessment, however, as I have a handful of “rap nerd” quibbles with that album, and there’s some songs I just don’t like. I did like the album, however, so when this sequel came out, I was ready to love it. And love it I do! After a short skit rings in 2007, Ghost starts ripping the old Eric B & Rakim “Juice (Know the Ledge)” beat to pieces, and doesn’t really let up. Though this definitely feels like a Theodore Unit album at times, the contributions from folks like Trife and Shawn Wigs don’t let their mentor down. The beats provided set a fine backdrop for the varied subject matter, especially in the case of “You Know I’m No Good,” Mark Ronson’s sultry funk bomb which also features vocals from Amy Winehouse. There are many ways to define quality, and what exactly an “album of the year” is. For me in 2006, More Fish came out at exactly the right time (right after that Nas album LET ME DOWN) and hit me where I live. Thanks, Ghost!

2. The Lindsay, “Dragged Out”
In a year where Columbus put out an ungodly pile of solid recordings, this one stood above the rest. Dragged Out is an instant Columbus classic that begs for hours of repeated listens. Here’s what I said upon its release.

3. Eagles of Death Metal, “Death By Sexy”
Sometimes you just have to throw up your devil horns and rock out. Josh Homme, Jesse Hughes, and their cast of characters put together a nonstop headbanger that helped get me through the year. Yes, it’s cheesy, but what’s wrong with that?
MP3: I Want You So Hard

4. The Blue Van, “Dear Independence”
I got around to their 2005 album The Art of Rolling much too late to consider for last year’s list, but this year’s album from the Danish rockers builds even more on their promise as harbingers of tuneful rock with real soul. There are plenty of snazzy uptempo rockers on this plate, but ballad-ish “Don’t Leave Me Blue,” which oozes heartachy soul all over the place, takes the cake as the best song here and one of my favorite songs of 2006.

5. SSM, “SSM”
These Detroit boys’ debut on Alive Records is a bit on the confusing side, as there’s some garage, some electronics, some songs about alien love, and other wackiness. Overall, however, they are mainly concerned with rocking out however they see fit. I would often listen to this one a few times in a row without even noticing. Strangely addictive.

My “Other 10” and “Local 10” after the jump.
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Wednesday in Columbus: One Be Lo & Zero Star

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Michigan’s One Be Lo has been making moves on the underground rap scene for about a decade. After recording some classic material with the group Binary Star, he went the solo route while also building his own label, Subterraneous Records. After some intermediate releases, last year’s S.O.N.O.G.R.A.M. garnered much positive attention (It made my Top 20 albums of the year) with strong, positive lyrics over beats ranging from beautiful to heavy. One Be Lo continues to work on new music and collaborations with other indie rap heavyweights, and his energetic live show pleases hip-hop purists and new fans alike.

One Be Lo will make a return appearance in Columbus Wednesday night at Cafe Bourbon Street as part of So What Wednesdays, a weekly hip-hop night started up by Weightless Records in November. Opening will be Weightless’ own Zero Star, whose 2006 debut full-length Forever’s Never Really That Long was definitely pleasing to the hip-hop ear (I had more to say here). Along with the weekly pure hip-hop DJ sets, the live shows kicked off by this event make So What Wednesdays an exciting addition to Columbus nightlife.

Zero Star – “Forever’s Never Really That Long”

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Columbus’ Zero Star has become a name of note in the local hip-hop scene over the past few years. 2005’s Problem Child EP turned some ears with its quick doses of lyrical venom, and he gained more attention as a 2006 Columbus Alive Artist to Watch. This weekend, this building momentum brings its first major milestone: Zero’s debut full-length Forever’s Never Really That Long. Released by Columbus heavyweight Weightless Recordings, the album boasts 16 tracks of cleverly boastful verses over top-notch production by Blueprint, Ree-Dic, and DJ Przm. Zero is a lifelong student of hip-hop and its many eras and styles, and here he reveals himself as a devotee of early-mid 90s NYC MCs, with no-nonsense wordplay over mostly jazzy, soulful beats that still thump.
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Grafton – “Jumpstart Wire”

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Grafton has been pounding its way around the Columbus rock scene for many moons at this point. I have always been a fan of the band’s hard and heavy live show, but their previous full-length releases have been a bit too lo-fi and gravelly for my fragile ears. With their third album Jumpstart Wire, however, I believe the trio of Lou Poster (guitar/lead vocals), Jason McKiernan (drums/backup vocals), and Will Pugh (bass/backup vocals) has turned a corner in its studio career and cranked out its best album yet. The sound, though definitely not heavily polished, is clean enough for Poster’s menacing vocals to be intelligibly menacing, and therefore carry more weight. His guitar work mixes in well, with the occasional searing lead lick complimenting some good ol’ fashioned chugging. The rhythm section is a well-oiled machine at this point, especially when revving up at the album’s loudest points.

Though the boys may not have a reputation for super complex songwriting, the tunes on the album do utilize a handful of different styles and sounds within the realm of hard rock. The album gets off and running with three straight uptempo scorchers before hitting the ominous guitar echoes that open the almost grunge-y “We’ve Got Nothing Left,” one of my favorite tracks here. Poster gets brutal on the punkier “I Say Try” and then slows down with “Not the Kind of Color.” The rest of the album rocks pretty hard, until the second (at least) Columbus album creepy finale about a man and his gun of the year, “Hand Me My Gun.” Overall, the album flows well and is definitely a solid front-to-back listen. Grafton has achieved their finest recorded moment, and are surely on the verge of even better things.

To celebrate Jumpstart Wire‘s release on CD (via Dead Canary Records) and LP (via Columbus Discount Records), the boys will throw a release party show at Cafe Bourbon Street tonight in Columbus. Opening will be a mess of Columbus’ rockinest bands: Times New Viking, the Guinea Worms, and the Patsys. The release parties don’t show any sign of letting up at this point, which is a beautiful thing.

MP3: Never Had Less

The Lindsay – “Dragged Out”

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This year has already seen a bumper crop of standout albums by Columbus bands, and the Friday release of Dragged Out by The Lindsay is no exception. Though bassist Gretchen Tepper moved to Cleveland after their last show for school, the band remains intact and has produced the culmination of their sweaty and exhilarating live show. The disc boasts 10 tunes of fuzzy guitars, drum maelstroms, and good ol fashioned superior songwriting put to tape by the fine folks at Columbus Discount Recording and released by upstart label Manup Music.

Lead singer and guitarist John Olexovitch guides the band onward with a patient and easy-going croon and matches up well with the back-up vocals of Tepper. The guitars of Olexovitch and Tom Schmidt often meld into a sonic blur that battles well with the steady, propulsive beat of drummer James Lavery. The results of these flavors are unconventionally catchy tunes like “Like the Back of My Hand” (I dunno, I keep getting a Neil Young vibe off of this one) and “Your Contemporaries.” The over-riding characteristic of these songs that stands out to me is that most every song climaxes triumphantly, either in a splintery groove or a dirty jam, or some sort of ramshackle pile of guitar(s), bass and drums that somehow makes sense.

Since you should really own the album, I would recommend you check out their release party Friday night at the Carabar. They will be joined by fellow Bustown rock machines Mors Ontologica and Psychedelic Horseshit, so it will surely be a trifecta of terror! Admission is free, so why not?

MP3: “Like the Back of My Hand”