Author Archives: Tankboy

Teddybears giveaway!

2006_10_teddybears.gifWe here at donewaiting like nothing better than giving back to our readership, and what better way to do that than with free stuff? We’ve got a copy of the latest Teddybears twelve-incher and we want to give it to YOU. All you have to do is send us an email with your name and address, with TEDDYBEARS in the subject line, to:

contest@donewaiting.com

Here’s the track listing for the Cobrastyle 12″…

Side 1:
1. Cobrastyle featuring Mad Cobra (Album Version)
2. Cobrastyle featuring Mad Cobra (Instrumental)
3. Cobrastyle featuring Mad Cobra (Acapella)

Side 2:
1. Cobrastyle featuring Mad Cobra (Diplo Remix)
2. Cobrastyle featuring Mad Cobra (Weird Science Remix)

A winner will be randomly selected November 3.

Look, we at donewaiting know of which we speak!

I’ll be appearing on this panel tonight:

Promoting and Marketing Music: Part I
DIY Marketing to the Public

Monday October 30, 2006
6:00 p.m. – 7:30 p.m.

Chicago Cultural Center
Yates Gallery 4th Floor
77 E. Randolph Street, Chicago, IL


Build relationships with your audience to create fans, and do the marketing yourself. Panelists will advise on the growing array of direct marketing tools artists may find effective to gain fans and attract new audiences. Panelists will discuss their experiences making the best use of internet sites like MySpace, Email newsletters, Music Downloads/Podcasting, self-distribution and sales of music as well as managing your website as the hub for all of these activities. In addition, the panel will discuss how to integrate the new methods with traditional marketing such merchandise, street teams, flyers, posters, cds, performing live, attracting media coverage and commercial music distribution.

Moderated by:
Mark Roth, Chicago Music Commission and Centerstage Chicago

Panelists:
Jim Kopeny, donewaiting / Chicagoist / Tankboy Productions
Jay Prasad, Pure Entertainment
Micah Taylor, Direction Marketing
Doug LeFrak, Feisty Management

All forums include post-forum networking.


It should be interesting to see how my views stack up against those of a few of my peers on these subjects. I think this particular topic is ripe for some great discussion given the speed with which the underlying structure of said topic keeps changing.


Plus, what better do you have to do on a Monday evening just after work?

Don't call it emo, m'kay?

Okay, what I’m about to say actually fits within my character, especially since I voted these boys’ last album one of the best of the year it came out, but a lot of you may have a whiplash reaction. Don’t. Listen for one second.

MCR.jpg

The new My Chemical Romance disc, The Black Parade, is really, really good. It’s also what Chinese Democracy wishes it sounded like since lead singer Gerard Way seems to be channeling Axl Rose and Buckcherry’s Josh Todd in equal amounts throughout the album. The band backs him with a weird amalgamation of Queen, Guns N’ Roses, Cheap Trick and, well, more Queen. It’s been said that the band is inscrutable by a certain demographic over a certain age, but I submit they are only inscrutable by folks who have forgotten the confusion and overreaching drama that accompanies the adolescent years. And make no mistake about it, the teenage wasteland is MCR’s target audience. However I think there’s enough honest and compelling emotion in the songs to appeal to just about anyone with an open mind.

No, it’s not emo in the classic sense, but neither is it quite emo in the newer version hijacked from previous punk bands wearing their hearts on the sleeves. MCR is most assuredly a commercial beast by now, but at least the product they’re pushing seems grounded in an actual attempt at connection rather than simply rehashing old tropes in order to exploit the kids that need them most.

Here’s a sample of what teen angst sounds like today, bereft of any concern for the critical mass at large. No, it’s not this generation’s Nirvana, but that makes it no less delicious.

MP3: My Chemical Romance “Teenagers”
MP3: Download them at Hype Machine

Not THAT kind of Giant Squid!

giant_squid.jpgDo we really need another crunching, crushing, metal outfit skirting around the edges of the sludgier aspects of the whole stoner rock movement? Probably not, but don’t tell that to Austin’s Giant Squid.

Listening to “Neonate,” the first full song on their new disc Metridium Fields, you would be forgiven for just sort of sighing and going, “not another one.” The track is thicker than a congealing scab and covers all the bases, but really doesn’t offer anything to help it stand out from the pack of other longhairs with whiplash.

Then “Versus The Siren” kicks in, a multi-part and expansive duet between husband / wife team Aaron and Aurielle Gregory. Suddenly it becomes apparent that there is a whole lot more here going on than first surmised. The disc opens up to reveal its treasures more readily from that point on, slowly building up the listener’s engagement until the final twenty-one minute payoff of the closing (and title) track.

It’s true, we don’t need another cookie-cutter metal act clogging up the record bins. Luckily Giant Squid bypass that danger rather nicely with their combination of sugar and brimstone and have concocted and intoxicating mixture to pour down your slackened throat.

Mike Patton's Career Discussed on <em>All My Children</em>, World Subsequently Ends

What the – ?!

Um, this is not the Primal Scream I was promised.

Did anyone else buy the American version of Primal Scream’s Riot City Blues, only to find the bonus track listed on the back of the CD case, “Stone Ya To The Bone”, replaced by a shitty live version of “Country Girl”?

I am more than a little pissed.

Flosstradamus versus Bloc Party

flosstradamus.jpg

You probably have never heard of Flosstradamus. Hell, most folks outside of Chicago most likely were first exposed to them during their super-packed, bursting-at-the-seams (crowd-wise and music-wise) set in the Biz3 tent at this year’s Pitchfork Festival. Pretty much all that’s been available to the listening public have been a few remixes/mash-ups via MySpace, some of Kid Sister’s stuff, and their recent set on the Market Frenzy podcast.

Well, take a gander at what they’ve done to Bloc Party’s “Helicopter.” It’s not so much a remix as it is a total re-imagining of the tune … but it is a good approximation of what they can do live.

Bloc Party – Helicopter (Flosstradamus mix)

Trust me. They are insane. And they are going to be huge. Visionary. Seriously.

And now … Teddybears!

teddybears_with_girl.jpgOkay, so there’s this band Teddybears that’s just been popping up everywhere over the last few weeks, particularly on the MP3 blogs. People keep posting the same track over and over (and I am going to as well, with a twist) and the buzz is predictably building. There’s one thing that strikes me as really weird about the whole thing.

Teddybears isn’t exactly a new band.

Not by any stretch of the imagination!

They’re better known everywhere else in the world as Teddybears STHLM — the STHLM is for their home of Stockholm — and they’ve realeased quite a few albums over the last, oh, fifteen years. In fact their U.S.A. debut, Soft Machine, is filled with previously released songs. A few have been re-recorded to bulk up / update the sound and now feature vocals from instantly recognizable voices like Neneh Cherry, Iggy Pop and Annie. For the most part there isn’t anything new so I’m not sure why people are only now going gonzo over the band.

Heck, their actual lead singer is also the voice of The Caesars (though I can’t figure out if it’s Teddybears or the Caesars that one would consider his side project,) so it’s not exactly like his own vocals are exactly alien to the American ear!

Anyway, I’ve enjoyed the bands last two albums so I’m pleased to see them getting some exposure over here finally. I guess my only gripe is reading all the blogs that go on and on about them but get so much of the information about them so wrong.

To give you an idea of what I mean by the songs being re-worked (and how i’m not 100% sold it was actually always necessary) here is “Yours To Keep,” the lead-off single (I presume, though it may be “Cobrastyle,”) off Soft Machine. Compare it to the song’s original incarnation on 2000’s Rock’n’Roll Highschool.

Teddybears STHLM “Yours To Keep” (with Paolo)

Teddybears “Yours To Keep” (with Neneh Cherry)

See? The new version with Neneh Cherry is rather bulked up, and I dig it, but the original with Paolo just has this sort of wistful air that is so timeless I’m always in the mood to hear it.
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Ok whoa!

I’ve been an unabashed fan of OKGo (and apparently was the only Chicagoan to even pay any attention to their sophomore effort pre-“A Million Ways” choregraphy) for quite a few years now. With that in mind, I thought, yeah, that first dancing video was cute, but it got annoyng awfully quickly. It didn’t help that it was paired with what I thought was a) the weakest song on the album and b) an obvious Cardigans rip-off.

They totally redeem themselves with this one though. I am awestruck.

Yes, it's true.

Sonic Youth is playing Double Door in Chicago on August 5. This is a tiny room for them to play. Tickets are guest list only, we’re told. Anybody got an extra soul to sell to gain entry?