Category Archives: Review

My Friend Steve Reviews Northern State, Tilly and the Wall in New York

My friend Steve will only send in reviews via iChat. This is his review of last night’s Northern State and Tilly show:

Steve: i’m the 3rd oldest person at the show, i’m alone, and it’s raining, so already i was ticked.
Steve: opening band, 9 pm: Arbor Day.
Steve: guitars and trombones.
Steve: and that’s the most you’ll ever hear of them.
Steve: 10pm: Northern State
Steve: ROCKED.
Steve: couldn’t get enough
Steve: totally under-appreciated by everyone but me.
Steve: 11pm tilly came on.
Steve: here are the 3 thoughts that went through my head during their 1st song:
Steve: “Hey, wait a minute….this doesn’t rock.”
Steve: “What the fuck am I doing here?”
Steve: “I wonder how the Sabres did tonight.”
Steve: PS they beat the Flyers 9-1.
Steve: tilly fans are annoying
Steve: fuckin really annoying
Steve: tilly fans are the new tori fans.
Steve: teenyboppers that grew up and are now in their early 20s…..twennyboppers.
Steve: the girls in the band are indeed cute, but the annoying fan adoration was just too much to take
Steve: the music did nothing to make up for it
Steve: 9:05 AM
Steve: so i did the unthinkable.
Steve: I set a suicide clock……………….without your permission.
Steve: i said okay, they play “Bad Education” or 11:35pm. whichever comes first. then I’M OUT.
Steve: 11:35 comes.
Steve: BOUNCEY BOUNCEY
Steve: what a relief.
Steve: a live show made me un-llike a band.
Steve: now i need to build a time machine
Steve: and go back and make myself leave after northern state
Steve: moral of the story: Northern State is awesomely awesome, I need a yearly reminder not to go to shows alone in the rain, and always opt to watch the hockey game in the comfort of your home where your girlfriend is.

MP3: Church of the Red Museum

Church of the Red Museum
Saturday, October 7th
Carabar, Columbus OH

With a year or so under their belts and the enthusiastic buzz about them on the rise, Church of the Red Museum is striking while the iron is decidedly hot by releasing their first record this weekend. Self titled and appearing via local Manup Records, the album is a frenetic dash through 29 minutes of a Bohemian sounding dirge. Born largely from the reconstituted Columbus band Go Evol Shiki, the reassignment of players couldn’t have resulted in a much more disparate or improved sound. Where GES was discordant and exuberant, Church or the Red Museum plods along in a somewhat less cacophonous, yet sinister sounding polka punctuated by a screaming wail.

For a band of relative newness, they spend a considerable amount of time focusing on expiry. With a vocal griminess and depth that will likely forever be (favorably) compared to Tom Waits, and the heavy somber sounds of pyre-worthy organs, these songs seem forever close to death- or at the very least, calamity. Lyrical content doesn’t do much to dissuade the listener from the theme, as front man Brian Travis sings such foreboding lines as “there’s no escape from the murder in my head…” and “there’ll be a moment of truth before my baby breaks…There’ll be a shotgun blast.” While that sort of tone is almost universal throughout, one shouldn’t confuse the proximity to a funeral with lifelessness. On the contrary, the songs have a compelling drive and energy. That is due in part to interesting arrangements of violin and muted trumpets, crackling guitars, and unusual percussion. While some tracks blend almost seamlessly, others have abrupt changes in tempo or feel within a particular song, so that the listener is held on edge.

In a year of absolute bounty regarding Columbus releases, Church of the Red Museum’s offering will surely be a standout. There’s an urgency, a darkness, and a uniqueness that makes it stick with you. Bravo.

Joining CoRM at the Carabar will be the guitar orchestra/hurricane that is Brainbow, punk blasters El Jesus de Magico, and The Hills Have Eyes.

MP3: Shotgun Blast

In A Funny Way

You fall in love. You fall out of love. You move on. You leave things behind. Sometimes, you see a glimpse, a reminder of the past, and you wonder how the hell the two of you drifted apart. Such is my relationship with Mercury Rev. It’s not that I don’t recall how we drifted apart, its just that I’ve been reminded quite how furiously I loved this band, and I can’t believe that we let anything come between us.
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Tindersticks – 17th September 2006

Don’t Look Back is simultaneously joyous and priggish. It’s eclectic, a programme giving equal billing (more or less) to Green On Red and Ennio Morricone. But there’s also a sense of smugness about it with the implicit suggestion that they’re striking a blow against the singles / iPod mentality and restoring the beauty of classic albums to their rightful places. And then there are the Tindersticks.
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Reviews: Tom Waits in Akron, Cleveland

Bunch of folks in the donewaiting.com message board were at the Tom Waits shows in Cleveland and Akron the other day. Some funny stuff found in the thread including:

With all the yelling, the desperate “notice me” cries directed toward the stage, the singing along with key lines as if to say “TOM, I GET IT!” (why else applaud a lyric reference to Little Anthony & The Imperials in a song?), I can only say that die-hard Tom Waits fans are as annoying as any. Apparently, the need to “WHHHHOOOO-HOOOOOO!!!!” transcends all.

Read more (and add your own input) over here.

And now … Teddybears!

teddybears_with_girl.jpgOkay, so there’s this band Teddybears that’s just been popping up everywhere over the last few weeks, particularly on the MP3 blogs. People keep posting the same track over and over (and I am going to as well, with a twist) and the buzz is predictably building. There’s one thing that strikes me as really weird about the whole thing.

Teddybears isn’t exactly a new band.

Not by any stretch of the imagination!

They’re better known everywhere else in the world as Teddybears STHLM — the STHLM is for their home of Stockholm — and they’ve realeased quite a few albums over the last, oh, fifteen years. In fact their U.S.A. debut, Soft Machine, is filled with previously released songs. A few have been re-recorded to bulk up / update the sound and now feature vocals from instantly recognizable voices like Neneh Cherry, Iggy Pop and Annie. For the most part there isn’t anything new so I’m not sure why people are only now going gonzo over the band.

Heck, their actual lead singer is also the voice of The Caesars (though I can’t figure out if it’s Teddybears or the Caesars that one would consider his side project,) so it’s not exactly like his own vocals are exactly alien to the American ear!

Anyway, I’ve enjoyed the bands last two albums so I’m pleased to see them getting some exposure over here finally. I guess my only gripe is reading all the blogs that go on and on about them but get so much of the information about them so wrong.

To give you an idea of what I mean by the songs being re-worked (and how i’m not 100% sold it was actually always necessary) here is “Yours To Keep,” the lead-off single (I presume, though it may be “Cobrastyle,”) off Soft Machine. Compare it to the song’s original incarnation on 2000’s Rock’n’Roll Highschool.

Teddybears STHLM “Yours To Keep” (with Paolo)

Teddybears “Yours To Keep” (with Neneh Cherry)

See? The new version with Neneh Cherry is rather bulked up, and I dig it, but the original with Paolo just has this sort of wistful air that is so timeless I’m always in the mood to hear it.
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Kuyahoga 2006 (Death Cab + Flaming Lips)

Last night I drove up to the Cleveland area for the first Kuyahoga Festival, a radio-station event that copped a lot of bands on their way to Lollapalooza. The festival features smaller, local bands (The Six Parts Seven), buzz bands (Wolfmother), and was headlined by The Flaming Lips.

I was only able to catch the last two bands, Death Cab for Cutie and The Flaming Lips. Death Cab played a pretty good set, highlighted by Flaming Lips joining the band onstage for a cover of R.EM.’s Cuyahoga (it was the town we were in, after all).

The Lips were great, as always, but I think their set was cut a bit short due to a curfew. The stage show continues to add little new elements here and there, making it for one of the most entertaining live bands around. I can’t wait to see them again in Columbus in a few weeks.

Roddy Woomble & Friends – 28th July 2006

England’s oppressive summer cracks still on. “I’m glad to be here,” says Roddy, “Not least because it’s a hundred and ten degrees downstairs and it smells of rotten vegetables.”

Unluckily for the young Scottish fella, the temperature in the venue is much the same, and I doubt whether it smells any more fragrant than backstage. Yes, the Bloomsbury Theatre is a lovely intimate venue. No, it doesn’t have air conditioning.

My Secret Is My Silence - Roddy Woomble

When word got out that Roddy Woomble was taking time out from Idlewild to record a folk album, it wasn’t exactly earth-shattering news. His band had, after all, moved from shambolic punksters to rocking only slightly harder than Coldplay. Roddy’s solo album, so it seemed, would just carry on moving up the mainstream. But Roddy takes his art seriously, and in conjunction with a load of genuine folk folk, he’s made a tender sofly-spoken album that stays in the memory for far longer than it’s relatively short running time.
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