Author Archives: Joel Oliphint

Radiohead tour includes stops at Blossom on June 6, Riverbend June 5

Radiohead added some US tour dates for the summer, including a welcome date at Cleveland’s Blossom on June 6 with Other Lives and Riverbend in Cincinnati June 5. Tickets for the new dates (in ital) go on sale Thursday.

Radiohead 2012 North America dates:
03/05 – Dallas, TX @ American Airlines Center *
03/07 – Austin, TX @ Frank Erwin Center *
03/09 – St. Louis, MO @ Scottrade Center *
03/11 – Kansas City, MO @ Sprint Center *
03/13 – Broomfield, CO @ 1stBank Center *
03/15 – Glendale, AZ @ Jobing.com Arena *
04/09 – Seattle, WA @ Key Arena *
04/11 – San Jose, CA @ HP Pavilion *
04/12 – Santa Barbara, CA @ Santa Barbara Bowl *
04/14 – Indio, CA @ Coachella Music Festival
04/17 – Mexico City, MX @ Foro Sol ^*
04/18 – Mexico City, MX @ Foro Sol ^*
04/21 – Indio, CA @ Coachella Music Festival
05/29 – Mansfield, MA @ Comcast Center
05/31 – Newark, NJ @ Prudential Center
06/01 – Newark, NJ @ Prudential Center
06/03 – Washington, DC @ Verizon Center
06/05 – Cincinnati, OH @ Riverbend Music Center
06/06 – Cuyahoga Falls, OH @ Blossom Music Center

06/08 – Manchester, TN @ Bonnaroo Music Festival
06/10 – Tinley Park, IL @ First Midwest Bank Ampitheatre
06/11 – Auburn Hills, MI @ The Palace of Auburn Hils
06/13 – Camden, NJ @ Susquehanna Bank Center
06/15 – Montreal, QC @ Bell Centre
06/16 – Toronto, ON @ Downsview Park

* = w/ Other Lives
^ = w/ Caribou

(via Consequence of Sound)

Louisville’s Forecastle includes MMJ, Wilco, Flying Lotus, Sleigh Bells, Dean Wareham, Girl Talk, JT Earle, lots more

Photos: Jane’s Addiction @ LC Pavilion

Jane’s Addiction
LC Pavilion I Columbus, OH
Feb. 25, 2012


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Video: Islands – “Hallways”

I’m digging this new Islands record, A Sleep & A Forgetting. “Hallways” isn’t my favorite track, but the video has dancing skeleton puppets.

Video/MP3: New Strand of Oaks song “Spacestations”

Strand of Oaks aka Timothy Showalter recorded a new song with the folks at Shaking Through in Philadelphia. It’s a simple song with a big sound, building on the wall of synths Showalter was developing on Pope Killdragon. In fact, there’s no guitar whatsoever on “Spacestations,” which features Shaking Through’s guest curator Chris Ward (Pattern is Movement) on drums and Eliza Jones (Buried Bed) on vocals and keys.

Shaking Through is a partnership of Weathervane Music and WXPN. Here’s the premise:

Shaking Through is a documentary series about bringing a song to life. Each year we give 10 of the most exciting young minds in music a challenge: One Song in two days. From first take to final mix. No extensions. No safety net. We bring in the best filmmakers around so we can share the band’s experience with you. We want tell you about the stories behind the songs, the techniques we used to produce it, and help you witness the sacred places where artists bare their souls. Every song, every take.

In an industry that leaves young acts to fend for themselves, Shaking Through can be a game changer. For these select artists, it is often their first experience in a real studio and in front of a camera. We’ve seen remarkable growth in the brief 48 hours we’re with them. The kind that can set these artists on a path to remarkable careers. It’s already started to happen…

I’m embedding the mini documentary above, but you should really head over to the full Strand of Oaks session on Shaking Through — which includes a free download of “Spacestations” — to get the full web-doc experience, including an acoustic version of the song on the banks of the Wissahickon (my old stomping grounds). The videos are top-notch, and the layout is artful and user-friendly. Give it a look.

More Ohio festival news: Nelsonville adds Andrew Bird, Lee ‘Scratch’ Perry, Hayes Carll and Time & Temperature

The 2012 Nelsonville Music Festival lineup continues to be awesome. Today NMF added Andrew Bird, Lee ‘Scratch’ Perry, Hayes Carll and Time & Temperature to the lineup, which now looks like this:

Iron and Wine
Andrew Bird
M. Ward
Roky Erickson
Lee ‘Scratch’ Perry
Dawes
Charles Bradley & His Extraordinaires
Kurt Vile & The Violators
Dark Dark Dark
Jorma Kaukonen
Lee Ranaldo Band
Hayes Carll
Sallie Ford & The Sound Outside
Horse Feathers
Michael Hurley
Shovels & Rope
R.Ring (Kelley Deal of the Breeders)
Woody Pines
Hope For Agoldensummer
The D-Rays
Todd Burge
Time & Temperature

More to be added in the coming weeks. $75 weekend passes for May 18-20 are available here, and check out the new NMF website, too.

SPIN’s redesign and why I like it

After spending some time with the newly redesigned and refocused SPIN –– the March/April edition with Sleigh Bells on the cover — I’m convinced it’s the first music magazine to finally get ahead of the curve, and it did so by embracing some things that would seem counterintuitive at first glance.

It’s large. While every magazine and newspaper in America is getting smaller and thinner, SPIN just got bigger and thicker — 9.5 inches wide and a foot long. (Most glossies, in comparison, are around 8 inches wide and between 10 and 11 inches in length.) That means big art, more art and more text. It also means that the magazine is now bimonthly, likely because even a mainstream pub like SPIN can’t afford to put out a magazine like that every month. But in adjusting to bimonthly, SPIN forced itself to become what a post-Web 2.0 music magazine should be: A place for long-form stories and analysis (with nice, wide columns of text). Even daily print publications rarely break news that wasn’t first found on the web, so a monthly or bimonthly magazine shouldn’t attempt to. The stories should hold up. They should be relevant two months after the magazine hits newsstands. Judging by this first issue, SPIN gets that.

It feels good. It’s bulky and remains perfect-bound, but the gloss is gone. The matte cover is a thick card stock, and more than half the magazine is matte. It feels special, artful, homemade and more than a bit nostalgic, but not cloying Instagram-nostalgic. (There’s still some glossy pages in the first half of the book; I’d recommend going all in and getting rid of the glossy feel entirely.)
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Oblivians to release new album on In the Red

Via In the Red’s Facebook page:
It’s official; The Oblivians will be recording their first studio album since 1997 next month and In The Red is putting it out! Here’s Larry Hardy and Greg Cartwright shaking on the deal.

(ht Blurt)

Video: Justin Vernon & Sean Carey perform Bon Iver songs with two pianos

4AD and Jagjaguwar have collaborated on a live session that captures a truly unique Bon Iver performance, featuring Justin Vernon and Sean Carey. On recent tours fans will have become accustomed to seeing Vernon flanked by an eleven-piece band, with the swell in numbers lending a grandiose element to even his most delicate songs. Sidestepping expectations, the idea Vernon presented for this session was to provide a wildly different experience.

Recorded in AIR Studio’s Lyndurst Hall – a building that was originally a church and missionary school designed in 1880 by the great Victorian architect Alfred Waterhouse (designer of the Natural History Museum) – Vernon was joined only by Carey, with the pair positioning themselves opposite one another at two grand pianos. Although neither Justin nor Sean’s first instrument is piano, they were able to remodel the songs in a way that showcases their complimentary vocals and, perhaps more strikingly, a seemingly effortless ability to experiment with form and structure.
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Download a dinner soundtrack from Akron’s Comfort Clouds

Every once in a while a random email from a random bands pays off and reminds me to temper my trigger-happy “delete” finger. One can only read self-promotion and desperate pleas for press so much, and bands are often quite terrible at describing their sound (which is why you should never ask them to do so). But I loved Akron band Comfort Clouds‘ spot-on sonic references (Eno & Jobim), totally nerdy song inspirations (anglerfish and Tesla) and the fact that the band made an entire album to be a dinner soundtrack:

This album was initially written as a soundtrack for dinner, combining equal parts Jobim-esque bossa-nova and Eno-esque ambiance. “Nothing’s The Same” is inspired by the underwater documentaries of Sir David Attenbourgh and the awkward romance between anglerfish. “33.3% Older Than I Am” is a mathematician’s love song to an older woman (all songs were written while I was in grad school for applied math). “Nikola Tesla” is what I imagine the scientist thought when his lab burnt to the ground. “I’ve Been Searching” is about Arctic marathon vacation packages.

Comfort Clouds self-released The Dinner Set, which truly is a perfect dinner soundtrack, more than a year ago. Stream or download it for free on Comfort Clouds’ Bandcamp.