
MP3: None Shall Pass
Similar to Atmosphere finding pop-punk fans, Aesop Rock‘s buddying up with suburbanites most favored pastimes (video games, cartoons) without much edge were prolly big points in indie-raps ability to make fiscal ends meet, but also allowed most critics to convince themselves that Paul Wall, and Cam’ron were more avant-garde than those had been championed as the Bukowskis and Shoepenhaurs of their genre.
Thats how I took “Fast Cars, Daggers, and Knives”, Aesop’s last ep, and to a lesser extent “Bazooka Tooth”. He became a middle class guy whose most interesting thing about him was that he could be a cynical dick and he prolly owned the Japanese version of the Playstation 5 and a Sex Pistols album.
Now in the past, Aesop had been a paranoid post-modern, fatalist/scratched idealist, who had realized the high standards of work ethic and existential willpower can have some fatal crashes.
Like how he went from “Labor Days” Daylight’s proclamation, “Life isn’t a bitch, Life is a beautiful women. You are just mad cause your just an asshole that can’t sweet-talk the princess.” to “Maybe your just to asshole. Maybe I am just asshole” of Nightlife.
What a difference 9-11 and the ending of a serious relationship meant to ones concept of what was possible.
So after the Nihilism from heavy trauma came the video games, Nike and prolly a cartoon channel. He prolly got happy because he was getting money. Can’t fault a guy for getting happy, and healthy. But in my opinion he became a parody of himself, and possessing a complete lack of urgency.
Well, “None Shall Pass” bucks this trend.
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