MP3: Modern Drift
Over the last ten years, the men of Danish band Efterklang have been conjuring up and evolving a sound that is finally getting some decent exposure on our side of the Atlantic. Childhood friends Casper Clausen, Mads Brauer and Rasmus Stolberg grew up on the small island of Als and relocated to Copenhagen in 2000, with the collective aspiration of making music for a living. Quite ambitious as only a handful of bands coming out of Denmark have gained international recognition. (The three that come to mind are Mew, The Raveonettes and, yes… Aqua) Drummer Thomas Husmer joined them soon after the move and their first EP, Springer, came out in 2003. In those three years, they began their own label, Rumraket, from which they continue to work. (Rumraket’s first non-Efterklang release was Grizzly Bear‘s Horn of Plenty.)
Efterklang was recently added to London-based label 4AD, which will release their new album Magic Chairs in late February. This album has made quite a hike from previously recorded material (released on The Leaf Label) that meandered through electronic experimentation (Tripper) and orchestral proclamation (Parades). While there will still be enough instrumental creativity going on to satisfy old fans, there will also be constructed melodies that those who follow The Dodos and Mum will appreciate. They also consistently have some of the most amazing album artwork thanks to the brains of Hvass&Hannibal.
Live video of the Sufjan-meets-Sigur Ros song “Cutting Ice to Snow” after the jump. Continue reading
It’s been nine months since SXSW, and Florence and the Machine’s performance still echoes in my brain. It was a demonstration of fire and energy, of putting all of your soul out there and giving the audience something to remember. 
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Visiter is such a rich album to listen to, it’s hard for me to do anything else while playing it on my headphones. It’s rare that I actually notice the drums or banjo or backup vocals in beautiful detail, and that’s what helps makes this album such a standout.
The first time I saw Times New Viking was when they opened up for The Arcade Fire in Columbus. (To put it in perspective, the show wasn’t even halfway sold out of a 400 capacity venue). My initial impressions were “okay i don’t get it.” Everything started to make much more sense as time passed and I was able to see them live more. Songs are fuzzy and distorted and recorded on equipment that might have been recovered from a basement flood, but they have enough kick in them to fill an arena. These damaged pop songs make up one of the most important albums in recent Columbus history. I can’t wait to hear what they do next.
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It would have been easy for Gnarls Barkley to try and recreate the success of “Crazy”, but instead they took an artistic and far more interesting turn. I love the slow burn of this noiry lounge album. Cee Lo’s voice still goes down nice and smooth and Danger Mouse knows how to assemble the right beats and instruments to wrap around it. Don Draper approves.
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It’s not fair to other bands when one band comes around and puts out two amazing records in the same year. The nerve! Anyway, both are a logical extension of the modern Belle and Sebastian discography but with more distortion and just slightly more energy. See…. music can be fun and challenging at the same time.
You’ve got to have a lot of confidence (and a twinge of insanity) to be a small label and decide to commit to a year-long vinyl singles club (run of 250 each). The gamble paid off both financially (the club sold out within weeks) and musically, with bands like El Jesus de Magico releasing some of their finest work. Still to come in the series: The Unholy Two, Psychedelic Horseshit, Mike Rep and many more. Forget trying to create bullshit slogans like “Indie Art Capital of the World,” Columbus Discount Records should be looked upon as a true banner of inspiration to the entire arts community in Columbus.
When I was relistening to this album as a primer for the list writing, I finally realized that most of the songs on this album hover around the 2 and 3 minutes mark. It struck me as interesting because in each short song an incredibly detailed picture is painted with Slim’s lyrics. Call it hit and run songwriting maybe. This album is a great example of a band living in the Americana genre but not sounding completely cliche.
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I can just imagine Alina’s pitch… “Okay, here’s my idea… I am going to do an album of all covers. And they’re songs written by a Russian musician. And yeah, I am going to sing all the songs completely in Russian…. Oh and I am going to put her photo on the cover and not mine.” While this album may be sung completely in Russian, it only enhances the impact. Desperation and longing and hope pour out of Alina’s voice with each song, making it one of the most emotional albums released this year.
On Two Cow Garage’s fourth album, they’ve finally hit their side. You can hear the confidence in their songwriting and singing. Always on the road, in both Europe and the US of A, chances are Two Cow Garage is playing your home town this weekend. People need to throw away their Kings of Leon albums and listen to this instead.
Blueprint reigns supreme over the Columbus hip hop scene, but Envelope has quietly slid into the #2 spot. With the release of his second album, this blue collar rapper has shown he’s got what it takes to mix it up in the big leagues. The national press are starting to take notice and things are coming up Envelope in 2009.
This album makes me want to go drag racing and get tattoos and road trip to Austin TX and find those vampires from that one Tarantino movie and stab them in their undead, vampire hearts. While all the locals thank me for taking care of their vampire problem, the Vivian Girls will be blairing out of my vintage Mustang.
Craig Finn’s cast of characters are back in more episodes of discouragement, dead ends and hopeful dreams. I’ve totally bought into the world he’s created. I want to know everything about the people he sings about and would pay at least $20 for a companion book that expanded upon the songs. And man, there’s so many lyrics casually tossed off that just stick around my thoughts for a real long time. 
If you didn’t know that Moon High was from Ohio, you might think they make their music somewhere on a secluded California beach, dividing time between recording and exploring the rock formations in the ocean. There’s a casual beauty that sweeps the entire record that feels warm and breezy. A perfect album to get us through the winter.