Author Archives: Adriana Mundy

Fanfarlo on the move

YouTube Preview Image

Over the last few months, via the musical grapevine, the band Fanfarlo has kept reappearing on my radar. But it wasn’t until visiting the UK in October that I actually heard them for the first time. I was able to catch them at the Brudenell Social Club in Leeds, where I was initially only there to catch opening act First Aid Kit. After settling on the fact that I could walk away completely satisfied after their set, Fanfarlo took the stage. While on record they sound a bit harnessed and calculated, their live show illuminates their talent enthusiastically. Created by ex-Swede Simon Balthazar, the six-piece band is based out of London and has been actively touring Europe and the US on their debut record Reservoir throughout 2009. They also just played CMJ and have again been added to the SXSW 2010 roster.

Balthazar sings with a sweet and bold voice (similar to that of Beirut’s Zach Condon) and is backed by an amazing group who each play multiple instruments to form a big full sound, reminding me of the Arcade Fire. Have a listen, but more importantly, check out some live footage.

Fanfarlo has recently been recording a number of “Laptop Sessions” where they perform covers. You can find those here, as well as some music videos.

Motion Productions invades Columbus

3POSTERS_small_1

Motion Productions is taking over Columbus. Well, invading it… for three days. To celebrate their two-year anniversary, they will be hosting shows this Friday and Saturday and next Friday (12/4) with the help of nine local bands. The schedule is as follows:

Friday, November 27th @ Ravari Room:
Sleepers Awake
Thrashers
Wing and Tusk
Phantods

Saturday, November 28th @ Ravari Room:
Bookmobile
Old Worlds
Pinkertones (Weezer cover band)

Friday, December 4th @ Skullys:
The Compressions (first Columbus show)
Mr. Fahrenheit and the Loverboys (Queen tribute band)

Two more good-looking posters after the jump Continue reading

Jay Reatard’s Triumphant Return

reatard

MP3: Jay Reatard – It Ain’t Gonna Save Me
MP3: The Black Hollies – Gloomy Monday Morning
MP3: Bryan Scary and the ShreddingTears – (It’s A) Gambler’s Whirl

Pels ikke bjørnen før den er skudt. Or, don’t skin the bear before it’s been shot. That seems to be exactly what Jay Reatard’s old band members tried to do when they walked out on him in October. (But then again, that’s punk music, right?) Inconvenient timing (due to them being on tour at the time) seems to be the only downside from this situation as Danish band Cola Freaks are now officially on board the lo-fi garage punk project and have been trucking through Europe with him since. This seems to be a win-win situation, as he is finally visiting Columbus again (Sunday night at the Summit), now with a kick-ass European punch and seemingly quite happy about the new additions. He spent 10 days in October recording in the Freaks’ hometown of Aarhus and has gone on the record about it, saying, “It sounds exactly the way I wanted these songs to sound like live when I wrote them.” (Cue proverbial twisting of knife.) It’s a good time to be Danish, as Jay and the band will also be opening for The Pixies on their Doolittle tour that kicks off this weekend in Chicago. Oh, and now Reatard’s former rhythm section is apparently joining up with Wavves.

Reatard video and info on the Columbus openers after the jump. Continue reading

December 5 at Skully’s: Rock Potluck 2009

rockpotluckposter

Picture this. You’re a musician. You’re in a local band that’s created a steady fan base. You want to test the waters of your talent, so you accept a challenge that matches you randomly with four other people to form a band. You then have 8 hours to come up with two original songs and one cover with these people whose musical limitations are potentially a mystery. Following the minimal time spent conjuring up and practicing these songs, you must perform them in front of a full audience of your Columbus peers. Oh, and on top of all that, this year you get filmed every step of the way. Nervousness ensues, the pressure’s on. Welcome to the Rock Potluck of ’09.

In its 5th year of existence, the Potluck continues its raw artistic event, boasting a roster of 41 musicians from 41 Columbus bands. Though both the challenge and combination of personalities thrown together seem like an equation for an explosive reality TV show, there is an underlying positivity. The Potluck’s coordinator, Bobby Miller, feels that the event “helps bring the entire Columbus music community together in a very unique and supportive way. Each band creates a bond and ultimately the experience they go through and the music they make together is something really exciting to hear and watch and something they can all be proud of.” More than one band created within the event has continued to play out after the fact. Sandwitch, born in the ’03 Potluck (made up of Ron House, John Olexovitch, Brett Burleson, Bobby Silver and Zac Szymusiak) has put out a 7”, played at last year’s SXSW and will soon be releasing a full-length record on Columbus Discount Records. Continue reading

Wildbirds & Peacedrums

wildbird

MP3: My Heart

The continuing flow of freshness coming out of Sweden in the last two years has made my faith in music exceedingly high and my bank account balance exceedingly low (yes, I do still pay for music). One of my favorites has to be husband-and-wife duo Andreas Werliin and Mariam Wallentin, better known as Wildbirds & Peacedrums.

Happening upon the “There Is No Light” video a couple months back made me an instant fan. Though it’s reminiscent of The White Stripes’ “The Hardest Button to Button” moving-drum video, it’s chock full of (good) art-school flair. This song seems to serve as the centerpiece of The Snake (released in August), being infectiously upbeat and enjoyable for those not so interested in Bjork-like tunes.

The two have managed to make music that’s amazingly simple (just percussion and vocals, with the occasional electronic samples and strings) yet full of life and emotion. This album has the power to take you on a journey through their imaginations while touching on an array of musical genres. Wallentin’s voice is soulful chant-folk, reminding me of a New Age Native American in tracks like “Places” and “Great Lines.” She lets it all sweetly bleed out in the final track, “My Heart,” which may prove to be the most palatable song on the album. Werliin must also be commended for his incredible control of all percussion instruments, which keeps the mood intact not only through every song, but for the album as a whole. Continue reading

Andrew Bird/St. Vincent review

Photo by Jillian Mapes

I remember the first time I heard the name Andrew Bird. Though I’m somewhat ashamed to admit this, it was Friday, April 13th, 2007. (Yes, the last time he played the Southern Theatre.) The sweetly meek Chicagoan happened to be one of the faces I was serving at a restaurant that afternoon. I had no idea of the talent sitting in front of me and was honestly just happy he was polite and low-maintenance.

Two years later…

With the melodies still reverberating through my head a full week after the his Wexner Center show at the Southern, it’s safe to say the sold-out show was worth it’s equivocal weight in musical gold. (And I officially feel stupid.) Between the consistently eloquent tone of his lyrics and his equally impressive skill as a one-man ensemble, Bird himself proved to be a Noble Beast. His endearing awkwardness in small-talk between songs filled the theater with a charm that was inescapable. Bird encored with St. Vincent and covered Bob Dylan’s “Oh Sister,” which was a true treat.

Opener St. Vincent (aka Annie Clark) played an electric set that primed the anticipatory mood of the evening. Clark is touring on her newest album, Actor, which is a mature progression from the last. (I’ve found it impossible to stop listening to either.) She somehow managed to juggle a perfectly rosy demeanor with some bad-ass guitar playing in a way only someone who had once been in a 23-piece band could.

Both acts continue separate tours through the end of the year.