Category Archives: Review

Flotation Walls: Nature

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MP3: Willis the Fireman by Flotation Walls

Flotation Walls, lead in one version or another by Carlos Avendaño, have been haunting the Columbus music scene for what seems like nearly a decade. During those years there have been flourishes of activity and long periods of apparent dormancy. But one thing we’ve been missing throughout is a proper full length from these guys. So to say that the release of the Nature LP tomorrow at Skully’s has been a long time coming is no exaggeration.

I mean, with all the talk and speculation and legitimate anticipation surrounding a release date and the subsequent passage of those dates, this record is pretty much Columbus’s Chinese Democracy. Really- after the release of a nugget or two in 2003, people were pissed when this thing was delayed until December of 2004. The Chinese Democracy comparison is mostly for the sake of humor, but it has its utility too. In both cases, the elapsed time between conception and delivery was used by the respective captains to tweak, add to, and retool the contents and production in an effort to produce a grandiose master work. To a degree both Carlos and Axl have, in striving for an epic album, managed a certain amount of success and at times to overdo it as well. The analogy begins to break down when looking at the final product though, as the triumph versus try-too-hard ratio clearly favors the Flotation Walls. Continue reading

Preview: The Receiver “Length of Arms” CD Release show – 5/8, Skully’s

 
MP3: The Receiver – Lenth of Arms

It really doesn’t seem like three years since The Receiver put out their first record, but I looked back into the archives and sure enough, it was 2006 when we wrote something up for the release of Decades. So now, on the eve of the Cooper brothers’ follow-up second album Length of Arms going public, it seems reasonable to ask how evolution has progressed during the time elapsed. Structurally, this is still the same band- the two guys forming a rhythm heavy combination of Jesse’s drumming and a bass, with synthesized keys and Casey’s delicate voice providing the upper atmosphere.

I spent a few minutes revisiting Decades, a record which I liked quite a bit- but in retrospect, it sounds now very much like a collection of new ideas. A little sparse, thin perhaps- in places it seems the mechanism by which two guys could tie whispered, ethereal poems with the less nuanced primary instruments had not been fully dialed in. In contrast, the 2009 offering seems much more fleshed-out thanks to heavy use of layered synth sounds. The songs are almost brimming full, kind of making you forget there’s only two of them. The integration of vocals on this record is really nice as well- gone is any hint of tenuousness or opposition, with strong sung parts becoming much more part of the meat of the tracks. Songs are cohesive and rockin’.

Have a listen for yourself though. I posted the the title track off the new record above. Come check it out in the live setting to see how they’re gonna pull it all off. Rumor has it they’ll be getting some assistance on the stage for the Columbus release show. The Receiver plays tomorrow night (5/8) at Skully’s with Hotel Eden. DJ Kelly Warner (formerly of The Lab Rats) will keep people entertained late.

The Black Keys Last Night

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(Pat Carney of Drummer & Chris Lutsko of the Unholy Two of pose for a picture after the Black Keys show at Skullys. I lied to them and said it was for a men of Ohio indie rock calender that the proceeds would benefit upcoming victims of the Swine Flu. Jared Phillips declined to be in the nonexistant calender.)

I had to work before the show so I didn’t get a chance to get to see the opening act. I work at Magnolia Thunderpussy next to Skullys. So what I did observe was a line that started at 4pm which wrapped well past the Milk Bar and all the way down 5th.
I think every single person that picked up free ticket showed up.
Outside of a club rap show, I don’t think I have seen this much excitement around one band.
Ohio loves TBK.
I got there around 945 right when the Black Keys went on. Seeing a band as large as the Keys in a small venue like this is always amazing. Doods busted out “10 Am Automatic”, “Strange Times” & “Psycotic Girl”.
I don’t recall every song cause I spent the bulk of my time trying to convince girls to buy both DJ Detox and I drinks.
I would tell them Detox was sad because it was his birthday and no one remembered it. Then the girls would ask him about it.
He would tell them he didn’t know what the fuck they were talking about, that was I was lieing to them and look bewildered.
For some reason the girls would still buy us drinks.
After getting the drinks, the next move was trying to ditch the girls which was difficult because the room was so packed and no one wants to move out of the way when they are watching their favorite band.
So you then would just have to act like the conversation never happened.
Jolly goodtime. Amusing oneself while The Black Keys play loudly in an esctatic, intimate setting is perhaps the best way to spend an evening.
Pat shot the shit with us for awhile but declined going to Hendocs with us because the engine of his car had just exploded so he needed to get to Akron.

Diplo in Columbus Review

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800 people paid 12-20 dollars to see Diplo in Columbus,Ohio.
For good reason. He invented anything that matters currently in the world of dancing. I mean…do I need to point out how before Diplo it was either James Brown or staying home because nerds wanted to play drum n bass?
I mean he made all of us ex-backpackers or hardcore kids into club goers kinda.
Anyway, after the jump I will recap the show.

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Pictures by Danielle Kline may vary due the fact that she took 423 of them. But they are all better then the ones I took on my cellphone camera
Continue reading

Thank You Diplo

Dear Diplo,

My friends & I greatly appreaceate you playing “Santana’s Town”. Gucci Mane and Fat Al were nice touches as well.

Thanks again,

Wes

(full review coming when its not the weekend. )

True Moves – “Right Girl, Wrong Reasons”

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MP3: Right Girl, Wrong Reasons

Columbus’ True Moves, a quintet of Columbus garage rock veterans of varied pedigrees, are releasing their second CD single this weekend. Right Girl, Wrong Reasons features three greasy barnstormers that were recorded by Nick Schuld at Zombie-Shark Studios.

The title track is a duet with lead singer/guitarist Eric Wrong and guitarist/vocalist Anna Lucci sharing their differing perceptions on a hookup based out of necessity. The track benefits from the smoky saxophone of Bob Starker, who brings the appropriate amount of instrumental sex to the jam. Elsewhere, Wrong fights to survive the nightlife to the tune of a guitar/sax surf boogie on “Hot Knife Twist,” while he fights to survive a tumultuous relationship both on the mic and on the harmonica on “Hard Life.” The rhythms laid down by bassist John Rice and drummer Nick Turkas are strong and steady throughout, especially on the railroading “Hard Life.” This quick and dirty slab of rock highlights the strengths of this outfit and is hopefully in advance of a full-length release.

The True Moves will celebrate the new single on Friday night, April 3rd, at the Circus. Joining them will be Whoa Nellie! (Starker’s other saxy band), The Beatdowns, and Dayton’s Pistol Whips.

Lo-Pan – “Sasquanaut”

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MP3: Vega

Sasquanaut, the second album from Columbus hard rockers Lo-Pan, casts the quartet as a band very skilled in creating and recreating moods.  Though the snarling guitar of Brian Fristoe, the thunderous bass of Skot Thompson, and the precise drumwork of J. Bartz all prove to be mighty weapons, the players are very patient in building a groove and seem to enjoy playing with a wide variety of tempos and dynamics.  The emotive vocals of new lead singer Jeff Martin fit very well into this model, as his whisper is as effective as his howl.  The lyrics bring to mind adventures, wars, and struggles that seem to independent of time and place.  These ingredients mix into a swirling heavy stew that is part backwoods hesher jam and part outerspace boogie.

Highlights include the merciless “Savage Henry,” the faster “Vega,” and the epic 10+ minute finale “Wade Garrett.”  Since the average track length here is 6+ minutes, the songs benefit greatly from the band’s experiments in tempos and moods.  Though there are a couple shorter rock tunes on the album, the longer tracks often build up, crash down, and then slowly rebuild, easily retaining the listener’s attention along the way.  The album marks a strong step forward for Lo-Pan as they continue to refine a style that is somewhat unique in Columbus.

Lo-Pan is hosting a release party for Sasquanaut this Saturday night at the Ravari Room.  They will be joined by two similarly-minded bands from Indianapolis, Devil To Pay and Bulletwolf, as well as Columbus’ Super Silver. I am told that the first 100 people through the door will receive a free copy of the CD, so get there early for free jams and a solid rock ‘n roll bill.  9 PM doors, $5 cover.

Weird Owl – “Ever The Silver Cord Be Loosed”

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MP3: Skeletelepathic

The music of Brooklyn quintet Weird Owl brings to mind several influences and touchstones that helped create their psychedelic sound.  However, the most prominent characteristic of Ever The Silver Cord Be Loosed , released last week on Tee Pee Records, is that the album feels like a series of mystical quests that stretch across space, time, and subject matter.  The challenge faced herein is trying to tie together these rambling journeys into one palatable package.

The music here is a tad gentler than your average modern psychedelic band.  Citing Crazy Horse as a reference, there is a subtle country/folk hue to some of the tunes that allows the music to have some American highway grit to go along with the omnipresent interstellar highway grit.  There is plenty of guitar to sink your teeth into, but the players tend to avoid the heavy riffing you might expect.  The keyboard parts range from pointed rhythm to hazy atmospherics, including some hearty organ playing, and the rhythm section offers a solid underpinning to the spacey leanings elsewhere. Continue reading

Super Desserts – “Barefoot in the Disenchanted Forest”

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The Super Desserts, a local supergroup of sorts, have been spreading cheer at local speakeasies, barca-lounges, and laundromats for months now.  They are evolving into a friendly force to be reckoned with, doing battle with such implements of destruction as bass clarinets, sitars, and glockenspiels.  To prove their might, they recently released their debut full-length album, Barefoot In The Disenchanted Forest, a 21-track musical Choose-Your-Own-Adventure.  Or maybe it’s just a lovely pop album?  Hard to say.

The music presented here is a whimsical journey, telling tales and yarns of love, loss, and stranded strippers.  The band utilizes an army of various stringed and keyed instruments and mixes in touches like Steve Winstead’s bass clarinet and Tyler Evans’ sitar to create lush, rural-tinged yet worldly backdrops for the songs’ universal themes.  The three primary singer/songwriters, Justin Riley, Eve Searls, and Bob Miller, combine to conjure up quirky indie folk pop tunes, with singalong tag team vocals and peppy melodies.  The crew takes us from the forest to the graveyard to the tent revival to the neighborhood jamboree, and pads the journey with instrumental versions of the full songs as interludes. Continue reading

Wednesday @ Skylab: my [left] uterus

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Tomorrow night, Skylab will serve as the first out-of-state site on a month-long winter tour for Tampa’s my [left] uterus (or m[l]u for short).  In case you are wondering, the band is made up of two men, so there are no actual uteri involved.  Like their name, the duo’s music is also a mix of confrontational and goofy, shifting among many different noisy rock styles and screaming through them.  Between the two tracks below (recorded two weeks ago) and the four on myspace (link above), m[l]u touches on noisepunk annihilation, sludgy metal, and even some mini jam sessions.  The bare-basics setup at Skylab should be a very fitting backdrop for the two-man fury.

Providing opening sets will be Columbus’ own Rage Against The Cage and Forest.  RATC is billed as an a capella grunge choir and is masterminded by Sword Heaven‘s (and of numerous other projects) Aaron Hibbs.  I was kind of hoping that it was grunge covers, but that does not appear to be the case, and also appears to be much more exciting that way.  Check out the video below for proof.  Forest is the psycho-kraut project of some CCAD students, and as evidenced by the myspace tracks, their sound will definitely mesh well with the night’s proceedings.  Complete with a light show, the choice between dance party and spontaneous combustion will likely be difficult to make.

The show starts at 9pm and Skylab is asking for a $5 donation as cover.  However, if you have energy to burn beforehand, at 7pm Skylab will become Sportslab, where you can play basketball (knockout, 2-2), four square, double dutch and bunch of other weird games that the hosts invented.  Come to Skylab tomorrow for a unique night of athletic activity, otherworldly entertainment, and brotherhood.

MP3: eat – my [left] uterus
MP3: time to give up – my [left] uterus

Video: Rage Against The Cage Live!

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