Category Archives: Interviews

Re: Scott Lucas & The Married Men

I didn’t want this to be buried in the comments of the Scott Lucas interview posted earlier this morning.

I can’t even begin to tell you how much this cracks me up. Scott did an interview with the A/V Club website. The interviewer was asking Scott his thoughts on other musicians who decided to take the solo route and Nick Jonas was brought up. Scott doesn’t know the Jonas Bros (and, seriously, why should he?) and said as much. As you might imagine, the Jonas Bros have a LOT of fans who aren’t taking very kindly to this “nobody from a grunge band that ISN’T Nirvana” picking on their idol.

http://community.livejournal.com/anythingdisney/2020661.html

Tonight: Scott Lucas & The Married Men at The Summit

What a change in sound for Local H’s Scott Lucas. After spending the last 15 years (geez, has it really been that long????) pumping out heavy, post-grunge rockers, Lucas just released his first “solo” record under the name Scott Lucas & The Married Men. There is nary a hint of aggression in these songs that Lucas likens to material by Mark Lanegan, Pink Floyd and Pavement and while Lucas did write all the songs, the members of the band add their own flavor to George Lassos the Moon.

With just one show left (tonight’s show at The Summit with Colin Gawel & The Lonely Bones and Tilt) before the big Chicago homecoming CD release party, I had the chance to chat with Lucas after the band’s soundcheck in Pontiac, Michigan.
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Jason Boesel (Rilo Kiley) @ Rumba Cafe (Wed, Feb.17)

MP3: “Hand of God”

Jason Boesel has spent years looking at the butts of Jenny Lewis (Rilo Kiley), Conor Oberst (Bright Eyes) and Ben Lee – now it’s time for the drummer to step out of the shadow and up to the mike. On January 12, Boesel released his first solo album, Hustler’s Son, on Oberst’s Team Love Records.

Difficult to catagorize, Boesel’s material is in the same post-alt.country (did I just make up a new genre?) league as bands like Wilco. There’s a folky/twang to the sound though don’t expect to catch Boesel in a cowboy hat and boots any time soon.

Jason Boesel is currently touring as the opening act on a bill that also includes Dawes and Cory Chisel & The Wandering Sons. Rather than hire a backing band, Boesel has enlisted Dawes to pull double duty.

As long as the next round of snow holds off, Boesel, Dawes, and Chisel will set up shop at the Rumba Cafe on Wednesday night for what promises to be one of the best triple bills in this young new year.

Boesel took a few minutes during the first week of the tour to answer some questions I sent his way.

I hate to start off on the wrong foot so if you hate this question or want to reach through your computer and choke me, then pretend like this question was never asked. That being said – Phil Collins or Don Henley?

Hmmm, I really and truly think they’re both great drummers, singers, and songwriters. If I could only choose one, I’d go with Phil. He’s a mother fucker all the way.
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RJD2 Interview About Columbus Graffiti, Howard Zinn, The Colossus & Mad Men


All Photos by Dan McMahon except the Holy Roller.

As we have said repeatedly on this website. RJD2 is headlining our 7-Year Anniversary at Skullys this Friday Feb 5th. Ticket info and line-up here

RJ is an old friend of mine, so in this informal interview we chopped it up about his brief graffiti career,walking the tracks near the Ohio State Fairgrounds, the passing of Howard Zinn, RJ’s new album The Colossus and his theme song for TV’s Mad Men.

I remember when I first heard your name in Hip Hop discussions around town, graff writers were like…thats RJD2 blah blah he is down with A-Team? A-Team had pieces at the convention center and CAP that hit you up… This question is more for the graffiti dorks but…?

so i moved to the bay area after dropping out of college. i had my records and turntables and stuff, and one of the dudes who i stayed with shortly was down with the a-team guys, this dude cliff. he was the only guy i knew in the city at a point, and then he left too. so the only people i knew in SF were cram, esa, this kid beaver who i cant remember what he wrote, but he would do these “god is love” pieces all over the city, and a few other guys. so they sorta inducted me in as the unofficial a-team dj or whatever. those were the only kids i knew in the city, really. so i’d hang with them, maybe go out a little here and there with em while they painted, but not too much. i later found out that esa had a columbus connection. and then cram moved to philly after i’d been here a while. small world, basically. and my friend cliff lived near and was friends with mike giant, and looked up to him-in 95 SF graff world, he was a really big deal, up there with twist and amaze and the like upper echelon of bay writers, so i met mike thru him. esa later moved to LA, and i think she was doing fine art or something. cram actually was doing public murals for a living for a long time. i guess mike giant got involved in tattoos, but i havent spoken to him in a loooooong time. but in short, all the a-team guys were just cool people, no ego shit, just real friendly folks.

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Interview with Fool’s Gold’s Sammy Bananas

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MP3:Kid Cudi, Kanye West, & Common-Make Her Say (Sammy_Bananas_Remix)

Sammy Banana’s is playing at Bristol Bar this Friday along with CJ Townsend, and DJ Dan from Paradise Garage. He puts out music on Fool’s Gold Records (A-trak, Kid Sister, Cool Kids etc). The New York Native dejays all-around the globe.

I met Sammy in the beginning of November. Dood booked Columbus’ CJ Townsend to play at Piano’s in the Lower East Side of Manhattan.
I was in the city, hanging out with Pat, and Mike of the Carney family
We met CJ and Lil Franz up at Piano’s because it was CJ’s 21st bday. (if you know me, ask me about me getting really drunk and stomping on a grown man’s feet, and trying to run his pocket because I was confused of his intentions and didn’t like how he looked in general)

Sammy played classic New York rap half the time, and house the other half.
CJ and Sammy sampled Gucci Mane’s adlib “Burr” “Burr”,and would press a button that would repeatedly make this adlib audible at random intervals whenever they felt like it.
Regardless of what music they were playing.
Be it Golded Era Hip Hop, House, New Jack Swing, Electro or Fidget R+B.

Even though we were drunk in NYC, it felt like we were in Columbus.

Sammy really likes R+B and New Jack Swing. He is huge fan of the 90’s. So I figured I’d quiz him on his preferences.

In Living Color or SNL with Chris Rock?
In Living Color. I like the Fly Girls.

Living Single or Family Matters?

Neither.

Living Single was was the show that Friend’s appropriated for white people like Elvis and Family Matters had Urkel.
Definately didn’t watch Urkel.

Family Ties or Alf?
Alf. I’m fond of Aliens. I’m a a big XFIles fan.

Haha..perfect…Fresh Prince or Independence day
Independance Day is a good movie. But I’m going to go with Fresh Prince.

But Independence Day had aliens.
I said I like Indepedence Day. It is a good movie. But Fresh Prince captured the 90’s, Fresh Prince had juxtapositions that allowed for comedic events to transpire.
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Interview: Ray West (ex-Spread Eagle)

I’ve written about my love of early ’90s sleaze metal band Spread Eagle before, including interviewing former bassist Rob DeLuca.

Spread Eagle singer Ray West just released his first solo album under the name All Pointz West (it’s the first thing he’s released – not counting a 3-song EP with the band Hostel, Inc. a year or two ago- in over 15 years) and it shies away from the early ’90s sound and goes for a much more contemporary metal sound.

Check out the interview I did with Ray over on AtomicNed.com.

Interview: Wye Oak

wyeoak_band

Donewaiting presents Blitzen Trapper and Wye Oak at Skully’s on Tuesday, October 13. More info can be found here.

Before the interview begins, some obligatory praise for Wye Oak’s sophomore release, The Knot (listen to it, in full, at the end of the interview). Admittedly I was relatively unfamiliar with the duo (Jenn Wasner – guitars/vocals, Andy Stack – drums, keyboards) other than checking out a couple of MP3s from If Children that we posted last year on the site. That being said, within the first 5 minutes of The Knot, I emailed the duo’s publicist at Merge Records and said something to the effect of “Is it possible to fall in love with an entire CD before the second song has even ended? If so, I’ll drop to one knee and propose to Wye Oak on the spot.”

MP3: “Take It In”

The Knot opens with the spacey “Milk and Honey” – the subtle effects-pedal-drenched guitar hanging in the background (the guitar playing – and the song itself – remind me a lot of Ashland’s Bel Auburn). It’s the first – and last – song that Stack will provide lead vocals on on the CD. The rest of the CD works on the ebb and flow of slow to loud, loud to soft that bands that Wye Oak have compared to are so proficient in (Yo La Tengo, My Morning Jacket, The Spinanes). It’s a beautiful sounding, at times loud and chaotic, CD and, as mentioned before, one that knocked me out from the get-go.

A few weeks into a tour with Blitzen Trapper, I sent Wye Oak some questions via email hoping they’d have internet access somewhere along the way. They did and the following are Jenn’s answers to the questions I sent.

Have you found that touring with a band like Blitzen Trapper – a band with critical buzz – has led to a “fan” buzz? Have you been pleasently surprised with the attendance at shows so far on the tour or have you played to smaller crowds than expected?

The shows with BT have been so excellent! It’s always interesting to play to audiences that aren’t necessarily there to see you. It puts you in a position where you have to try to win people over, and that really provides a good bit of energy and excitement, especially when you’ve been playing shows for weeks and weeks. It’s always really satisfying when you can get a good response out of an audience that’s never heard your music before. Continue reading

Jack Blades (Night Ranger) interview

Night Ranger

As a 12-year-old kid in Port Jefferson, New York, I distinctly remember Night Ranger’s Dawn Patrol being the first cassette I ever played air guitar to while standing in front of my bedroom mirror. Of course, it wasn’t actually an air guitar as I snuck my mom’s metal yardstick up to my room and pretended to be Brad Gillis while I made all sorts of rock star faces in the mirror.

25+ years later I had the distinct pleasure to speak with Night Ranger vocalist/bassist Jack Blades about the band’s history and their upcoming performance in Columbus with Journey. It was a dream – a dream that started back in 6th grade as you’ll hear during the interview – come true. And throughout the 20-minute interview, pay attention to how often Jack mentions the Schottenstein Center, Columbus, and calls me by name. This guy is a true profession and obviously had his talking points laid out in front of him prior to my calling.

MP3: Jack Blades of Night Ranger interview

Catch Night Ranger Wednesday night as they open for Journey at the Schott. Tickets run from $22 to $124.50.

MP3: The Low Anthem & Langhorne Slim Preview

The Low Anthem
MP3: The Low Anthem: Charlie Darwin

Sometime earlier this spring while we were standing around the Newport waiting for the Heartless Bastards to do their thing, conversation turned to debriefing on favorites from the recently-concluded SXSW festival. Shane mentioned Theodore. He was right. Duffy kinda couldn’t shut up about this band The Low Anthem that he’d seen like 80 times down there. And man, he was way right too. It’s coincidence that the two recommendations are similar in texture and tone, but after grabbing their two most recent albums I really gravitated to the beautiful Low Anthem recordings. They’ve continued to be staples in my stereo since, so I’m excited about their stop in Columbus on Friday at The Summit in support of a new record. Jeff Prystowsky from the band was nice enough to talk to for a bit and tell me a little about their story and recent doings, so more of both my thoughts and his after the jump.
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Celebrate Amerika with The Spits

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MP3: Wouldn’t Wanna Be Ya
MP3: Let Us Play Your Party

When I heard that Seattle’s The Spits are dropping a new LP – their fourth – on the 4th of July, I smiled… That smile was brought on by a couple of different reasons. One – I, like many others, thought there might never be a NEW Spits LP, since the band went on a hiatus due to some of it’s members moving to different cities and getting involved in other projects. Two – there is no more appropriate band to celebrate our great country’s birthday with then The Spits. Why? Because to this humble fan The Spits are what America is all about – taking back alleys, playing parties, drinking beers and being weird.

To those of you who are not in the know, The Spits play the most basic type of punk rock, reminiscent of the great Ramones with a splash of new wave and a whole lot of FUN! The perfect soundtrack for a killer party gone out of control. They bring it live as well. I’ve seen them play a show at our very own Bobo Street where those in attendance, myself included, would not let them of the stage until they played every song that was yelled out at them. So if you get a chance, shell out the dough at the door and never look back. Also make sure to pick up all four of their self-titled LP’s and a singles comp called 19 Million AC. You’ll thank me later!

The Spits were gracious enough to answer some questions for us via e-mail. Also they attached a killer track Wouldn’t Wanna Be Ya from the new album for us to enjoy (link above). So, here we go!

You and Sean are from Kalamazoo, MI originally. When and why did you guys re-locate to Seattle?

Sean and I had been traveling the country for a long time, separately and together, working as dishwashers and just seeking our fortune in general. When we landed in Seattle in the early nineties, the city had just the right combination of music, chicks, mountains and thrift stores. We knew we had found our new home.

When and how did the Spits start?

Well, Aleks, it was your classic “Boy meets girl, girl loves boy, boy goes to college for degree in 17th century French literature, boy drops out of college, girl leaves boy, boy hits girl, boy goes to jail for assault, boy gets out of jail and goes on 13-day vision quest with the Ayuhuasca shamans of the Amazon, boy starts band, band turns music world upside down and single-handedly rejuvenates punk genre, girl wants back with boy, boy sleeps with girl one more time and then sleeps with her sister in girl’s house and videotapes it, girl becomes murderous with rage, boy goes on long tours with band in Europe and U.S. to stay one step ahead of vengeful girl, boy blah, blah blah….” We’ve all been there. Continue reading